Tom Huizenga

In June, NPR reported the Philadelphia Orchestra's admission that it had not programmed a single piece of music composed by a woman for its upcoming 2018-19 season. Jeremy Rothman, the orchestra's vice president of artistic planning, said at the time the omission was "obviously a blind spot and an oversight."

Max Richter's music seems ready-made for movies – and that's not in any way a put down. The music is powerful on its own, but certain pieces take on new depth when paired with well-designed visuals.

The Women's March and #MeToo movement have helped raise the volume for women's voices across the country. But one place where women still struggle to be heard is in America's symphony halls. Take a look at which composers the top U.S. orchestras are performing in the upcoming season, and you will find some surprising disparities.

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