Richard Egarr

Nicolas Poussin, via Wikimedia Commons

 

On the program:

Gamba Sonata in G minor, BWV 1029 - Steven Isserlis, cello; Richard Egarr, harpsichord

Cantata BWV 101 Nimm von uns, Herr, du treuer Gott (translation) - Caroline Stam, soprano; Michael Chance, alto; Paul Agnew, tenor; Klaus Mertens, bass; Amsterdam Baroque Orchestra & Choir, Ton Koopman, conductor

Contrapuncti I, IV, & IX, from The Art of Fugue, BWV 1080 (arr. Frackenpohl) - Canadian Brass  

On the program:

Prelude and Fugue in F-sharp minor, BWV 859, from Book I of the Well-Tempered Clavier - Pierre-Laurent Aimard, piano

Cantata BWV 54 Widerstehe doch der Sünde (translation) - Daniel Taylor, countertenor; Tafelmusik Baroque Orchestra, Jeanne Lamon, director

Orchestral Suite No. 3 in D, BWV 1068: II. Air - Academy of Ancient Music, Richard Egarr, conductor

Orchestral Suite No. 4 in D, BWV 1069 - Academy of Ancient Music, Richard Egarr, conductor

via Wikimedia Commons, credit Stephen Dickson

On the program:

Gamba Sonata in G, BWV 1027 - Steven Isserlis, cello; Richard Egarr, harpsichord

Cantata BWV 56 Ich will den Kreuzstab gerne tragen (translation) - Thomas Quasthoff, bass-baritone;  Berlin Baroque Soloists and members of the RIAS Chamber Choir, Rainer Kussmaul, director

Suite from The Wise Virgins (arr. William Walton) - Quebec Symphony Orchestra, Yoav Talmi, conductor

Harpsichordist and Academy of Ancient Music Music Director Richard Egarr talks about the Well-Tempered Clavier and Bradley Lehman's theory of tuning for the piece, and Konrad Junghänel conducts the Missa Brevis in F.

June 25, 2017

Richard Egarr leads the Handel and Haydn Society in Beethoven's revolutionary Symphony No. 3, as well as Mendelssohn's sun-splashed "Italian" Symphony on WCRB In Concert.

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