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The Boston Symphony's new composer chair talks about his roots in the churches of his family, his hopes and plans with the BSO, and the deep meanings of his music on a new recording called "Four Symphonic Works."

The legendary diva, who died 40 years ago this year, muses on stardom and fate — both on stage and off — in a luxurious new book of pictures and words.

Discover a broad spectrum of this year's most compelling classical music, from booby-trapped string quartets and chilled-out piano to full-throttle percussion, electric guitars and high-flying vocals.

Tamar-kali, who composed the music for Mudbound and Shirley, has a new project: an opera that you can watch online.

Love it. Hate it. Either way, winter is a fact of life.

It's easy to look at classical music like it's in a museum - clean, pristine, wholesome works, with their composers little more than names on placards…

In his first season as the BSO's Concertmaster, Nathan Cole talks with CRB's Brian McCreath about his background, the distinctive sound worlds different orchestras produce, and the challenges and rewards of his position.

The men who made Tanglewood are well celebrated. But what about the women who made it possible? Meet Gertrude Robinson Smith and Elizabeth Sprague Coolidge.

Slow and steady wins the race, or so we're told. Explore classical pieces that take guts, stamina, and training — and are really, really long.

A New York City opera company created an updated version of Fidelio for the Black Lives Matter era. The performance features singers who are incarcerated in real life.