In the 1960s, William Schuman was one of the most recognizable American composers around — so much so that when he appeared on CBS's "What's My Line?," panelists had to be blindfolded! For CRB's Summer of American Music, here's a look at Schuman's rise to superstardom.

Ahead of "We The People," a week-long festival he curated for the Boston Symphony Orchestra at Tanglewood, legendary cellist Yo-Yo Ma speaks about the power of practicing gratitude, music's role in restoring the spirit, and what we can learn from Johannes Brahms.

After 250 years, it’s safe to say that America has found its footing when it comes to classical music. From the earliest colonial-era fife and drum tunes, to full length contemporary operas, here are 50 pieces of classical music specifically associated with each of America's 50 United States.

A hopeful, catchy, summer's breeze in this month's Instant Replay.

Thomas Wilkins conducts the first BSO performance of Florence Price’s Violin Concerto No. 2, with soloist Randall Goosby in his Tanglewood debut, part of a program that also includes Bernstein’s life-affirming "Chichester Psalms" and Dvořák’s Symphony No. 8.

Tanglewood Music Center alum Marin Alsop leads the TMCO in Bruch’s First Violin Concerto, with soloist Ray Chen, as well as Anna Clyne’s "Masquerade" and Mahler’s Symphony No. 5.

On The Bach Hour, the words of one of today's most eloquent pianists illuminate his performance of the composer's Partita No. 3, and Konrad Junghänel conducts the Missa Brevis in G minor.

The rising young conductor's new album, Ukrainian Mixtape, is a introduction to composers even some Ukrainians don't know very well.

Philip Glass' newest symphony, an homage to Abraham Lincoln, was supposed to premiere at the Kennedy Center — until it didn't. And then, the Boston Symphony Orchestra stepped in.