-
Walt Disney’s spookiest “Silly Symphony” launched a new approach to classical music in cartoons, but its roots go as far back as the medieval Black Plague.
-
Japanese composer, columnist and iconoclast Takashi Yoshimatsu evokes babbling brooks, chirping birds, and delicate beauty in this radically pastoral album featuring Sachio Fujioka and the Manchester Camerata.
-
Matthew Guard, Artistic Director of the Boston-based vocal ensemble, talks about their new album, "Clear Voices in the Dark," the monumental challenge of recording Poulenc's "Figure Humaine," and music as a human reaction to violence.
-
One of the great things about the Bard is how adaptable his plays are. There are endless ways to interpret them — on stage and on screen, sure, but also in music!
-
The Boston Symphony's new composer chair talks about his roots in the churches of his family, his hopes and plans with the BSO, and the deep meanings of his music on a new recording called "Four Symphonic Works."
-
The "Fab Four" via South Korea, the North Seas meet the Vineyard, and a Pterodactyl scream . . . yes, we're ready for what fall may bring.
-
Composer, pianist, singer-songwriter, and creative chair of the Oregon Symphony Gabriel Kahane confronts uncomfortable truths about the housing crisis in America with his witty, eclectic, dynamic, and genre-defying oratorio “emergency shelter intake form,” performed by the Oregon Symphony.
-
Whether it's been a "wistful" summer, or a "high-energy" one, or even a "big ideas" kind of summer, we've got just the right soundtrack for you.
-
What would the Olympics be without the best of the best athletes... and classical composers?
-
The Pulitzer Prize- and Grammy-winning composer, singer, and musician speaks with James Bennett II about her new recording with Sō Percussion, the art of songwriting, collaboration, copyright law, and the satirical children's book "Go the F— to Sleep."
-
It's a summer of discovering — and rediscovering — magical musical moments in the July Instant Replay.
-
American singer-songwriter extraordinaire and indie icon Sufjan Stevens cuts his classical teeth with “Reflections,” a stunning ballet for two pianos, brought to the studio by pianists Timo Andres and Conor Hanick.