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Jiyang Chen: Mälkki; Marco Borggreve: Nelsons; Marvin Joseph: Fleming, Courtesy of the artist: Simon; Nigel Parry: Midori; Paul Glickman: HadelichBroad, interconnected thematic programming drives the BSO’s just announced 2025-2026 season, including “E Pluribus Unum,” a kaleidoscopic exploration of American works, “Where Words End: Music and the Natural World,” and “Faith in Our Time,” as well as a celebration of Symphony Hall's 125th birthday.
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Artists across the pop music spectrum, from Bon Iver and Sufjan Stevens to Solange Knowles and RZA, have made recent forays into music for ballet. Why now, and what’s changed about their music to accommodate the medium?
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Edwin Barker, Principal Double Bassist of the Boston Symphony Orchestra, illuminates the connection between Serge Koussevitzky's chosen instrument and its impact on the history of the BSO.
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Wintry mix gives way to buoyant hope. Spring is in the ear, in February's Instant Replay.
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English ensembles Polyphony and Britten Sinfonia, led by Stephen Layton, bring a polished sheen to Latvian composer Ēriks Ešenvalds’s modern masterpiece "Passion and Resurrection" and other works.
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In a rare occurrence, planets will line up in the sky this month. A classical composer lined them up over 100 years ago!
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Possibly the perfect playlist for the sweater-wearing, french-speaking, stunt-car-driving monk in your life. See what I mean in this month's Instant Replay.
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The Boston Symphony Orchestra has announced its next summer season in the Berkshires, highlighted by Puccini's "Tosca," a new concerto by John Williams, and a celebration of Keith Lockhart's 30th anniversary as Boston Pops Conductor.
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In celebration of what would have been Martin Luther King Jr.'s 96th birthday, pianist Lara Downes examines how musicians have followed in his footsteps, and faced the cost of taking a stand.
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The concert series is a response to the uncovering of information connecting Handel to the slave trade.
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In his first season as the BSO's Concertmaster, Nathan Cole talks with CRB's Brian McCreath about his background, the distinctive sound worlds different orchestras produce, and the challenges and rewards of his position.