Andris Nelsons leads the Boston Symphony Orchestra, the Tanglewood Festival Chorus, and a stellar lineup of soloists in highlights from Richard Wagner’s Tannhäuser.

British cellist Sheku Kanneh-Mason makes his Boston Symphony debut with Ernest Bloch’s Schelomo, and Andris Nelsons conducts the world premiere of Carl Simon’s Four Black American Dances and Beethoven’s poetic Symphony No. 7.

French pianist Jean-Yves Thibaudet joins the Boston Symphony for Saint-Saëns’s virtuosic Egyptian Concerto, and Israeli conductor Lahav Shani leads the BSO in his Symphony Hall debut with Prokofiev’s Classical Symphony and Rachmaninoff’s dazzling Symphonic Dances.

Lisa Batiashvili is the soloist in Sibelius’s Violin Concerto, and Andris Nelsons leads the BSO in William Grant Still's tribute to the Finnish composer, as well as a Symphonic Fantasy on Richard Strauss's opera "The Woman Without a Shadow," in an encore broadcast on CRB.

André Raphel conducts the Boston Symphony in the first part of “Voices of Loss, Reckoning, and Hope,” including Samuel Coleridge-Taylor’s Petite Suite and William Grant Still’s Afro-American Symphony, as well as Uri Caine’s The Passion of Octavius Catto, commemorating the life of the 19th century civil rights pioneer.

In the second of three programs of the Boston Symphony’s exploration of music centered on social conversation and transformation, Thomas Wilkins conducts Margaret Bonds’ tribute to Martin Luther King Jr. and William Dawson’s Negro Folk Symphony, and Anthony McGill is the soloist in Anthony Davis’s You Have the Right to Remain Silent.

In the third program of “Voices of Loss, Reckoning, and Hope,” the women’s vocal ensemble joins the BSO in composer Julia Wolfe’s commemoration of the fight for women’s suffrage, and Giancarlo Guerrero conducts Górecki’s Symphony of Sorrowful Songs, with soprano Aleksandra Kursak.

Thomas Adès returns to the Boston Symphony to conduct Igor Stravinsky’s dreamy retelling of Perséphone and two of his own works inspired by Dante Alighieri’s 14th-century Italian epic poem Commedia.

In an encore Boston Symphony broadcast, Philippe Jordan makes his BSO debut conducting an all-Russian program of Borodin, a suite from Prokofiev’s "Romeo and Juliet," and Rachmaninoff’s Piano Concerto No. 3 with soloist Yefim Bronfman.

BSO Assistant Conductor Earl Lee conducts Unsuk Chin’s powerful tribute to Beethoven, subito con forza, and Robert Schumann’s Symphony No. 2, as well as Mozart’s brooding Piano Concerto No. 20, with soloist Eric Lu in his Boston Symphony debut.

French cellist Gautier Capuçon takes center stage with the Boston Symphony for the American premiere of Thierry Escaich’s new work for cello and orchestra, and Andris Nelsons conducts Ravel’s Alborada del gracioso and Rachmaninoff’s romantic Symphony No. 2.

Anne-Sophie Mutter is the soloist in Mozart’s Violin Concerto No. 1 and Thomas Adès’s Air, a work inspired by Sibelius, and Andris Nelsons leads the BSO in Sibelius’s Luonnotar, with soprano Golda Schultz, and Symphony No. 5.

Renowned South Korean pianist Seong-Jin Cho is the soloist in Maurice Ravel’s Piano Concerto in G, and Andris Nelsons leads the Boston Symphony in Caroline Shaw’s meditative Punctum and Stravinsky’s Petrushka.

In the final program of the 2022-2023 season, the Boston Symphony and Music Director Andris Nelsons traverse the devastating landscape of Shostakovich’s Symphony No. 13, Babi Yar, and Augustin Hadelich is the soloist in Britten’s deeply emotional Violin Concerto.

Latvian violinist Baiba Skride returns to the Boston Symphony for Shostakovich’s Violin Concerto No. 2, and Andris Nelsons conducts in the world premiere of Steven Mackey’s Concerto for Curved Space as well as Brahms’s Symphony No. 4.

Karina Canellakis takes up her baton at Symphony Hall for the very first time in a folk-inspired Boston Symphony program that features Dvořák’s "The Wood Dove" and Lutosławski’s Concerto for Orchestra, and Nicola Benedetti makes her BSO debut with Szymanowski’s Violin Concerto No. 2, on demand.

Alan Gilbert conducts the Boston Symphony in a brimming program that includes Dvořák’s glittering Carnival Overture and the world premiere of Justin Dello Joio’s Piano Concerto, Oceans Apart, with soloist Garrick Ohlsson, on demand.

Israeli conductor Omer Meir Wellber leads the Boston Symphony in an exploration of Beethoven, through the composer’s own works and a world premiere by Ella Milch-Sheriff, and Midori is the soloist in Tchaikovsky’s beloved Violin Concerto, on demand.

Ring in the new year with CRB and the Boston Symphony Orchestra with timeless waltzes by Lanner and Strauss and Wagner's "Siegfried Idyll," capped off with Beethoven's eternal Symphony No. 9 — all conducted by Erich Leinsdorf.

Andris Nelsons leads the Boston Symphony in an encore broadcast of the world premiere of "Starling Variations," by Elizabeth Ogonek, as well as Farrenc’s Symphony No. 3 and Beethoven’s “Emperor” Concerto, with soloist Paul Lewis.

In an encore Boston Symphony broadcast, Paul Lewis is the soloist in Beethoven’s Piano Concertos Nos. 1 and 4, and Andris Nelsons leads the world premiere of the orchestral version of Caroline Shaw’s “Punctum.”

In an encore broadcast of the first of three programs encompassing Beethoven’s piano concertos, Paul Lewis is the soloist in the Piano Concertos Nos. 2 and 3, alongside the world premiere of “Makeshift Castle,” by Julia Adolphe, all conducted by Andris Nelsons.

BSO Assistant Conductor Anna Rakitina conducts the suite from Elena Langer’s Figaro Gets a Divorce and Mussorgsky’s Pictures at an Exhibition, and Inon Barnatan is the soloist in the crown-jewel of Rachmaninoff’s works, Rhapsody on a Theme of Paganini.

The BSO Assistant Conductor conducts the Boston Symphony Orchestra in an encore broadcast featuring a modern work by American composer Ellen Reid and Sibelius’s Symphony No. 7, and pianist Alexandre Kantorow makes his BSO debut as the soloist in Tchaikovsky’s Piano Concerto No. 2.