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Roth Conducts the "Eroica"
Saturday, December 5, 20208:00 PMFrançois-Xavier Roth leads the BSO in Gossec's Symphonie à 17 parties and Beethoven's Eroica Symphony, as well as…
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•
17:38
Where Are The Thousands Of Nazi-Looted Musical Instruments?
Researchers are still digging into the question and sharing their findings decades after the Nazis sacked the homes of Jews during World War II.
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•
5:26
Is Singing Together Safe In The Era Of Coronavirus? Not Really, Experts Say
Schools, faith and community groups as well as professional musicians are all struggling with the risks of singing. Experts present the most recent research and offer strategies to mitigate the risks.
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•
3:52
In Final Season as Boston Baroque's Conductor, Martin Pearlman Still Finds Awe in Handel
Pearlman reflects on his final season leading Boston Baroque.
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7:43
Structural integrity: Anna Thorvaldsdottir's rigorous, regenerative music
The Icelandic composer talks about the creative forces behind her distinctive music, her presence in the movie Tár and the "dome of energy" that fuels her country's artistic productivity.
Why Is American Classical Music So White?
Early American composers could have shaken off their European sound and mined the rich trove of African American music. They didn't. And one historian believes we're worse off because of it.
Guerrero Conducts Duruflé, Walton, and Grime
Saturday, October 10, 20208:00 PMGiancarlo Guerrero leads the BSO in Helen Grime's Limina, Walton's Cello Concerto with soloist Johannes Moser, and…
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•
18:55
The BSO and "The Spirit of Beethoven"
Boston Symphony Orchestra Music Director Andris Nelsons describes the three online performances he conducts, each of them featuring Beethoven symphonies,…
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•
2:52
First Impressions: A Guide To New Music In The New Season
From operas about Steve Jobs and Alice in Wonderland to an orchestral evocation of Detroit and a new concerto for Yo-Yo Ma, the new concert season is flush with premieres.
Julius Eastman, A Misunderstood Composer, Returns To The Light
A visionary who died young and alone in 1990, Eastman is making a slow but richly deserved comeback thanks to a curious younger generation. A new interpretation of his 1974 work Femenine is out now.
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