Tim Greiving

The Exilarte Center in Vienna is the world's leading research institution devoted to preserving the work of composers such as Walter Arlen and others, who were exiled or killed during the Holocaust.

Tamar-kali, who composed the music for Mudbound and Shirley, has a new project: an opera that you can watch online.

Deep in the heart of Texas, the Kronos Quartet reflects on race relations and social unrest with At War with Ourselves – 400 Years of You, by composer Michael Abels and poet Nikky Finney.

Recovered from a career-threatening injury, Miloš Karadaglic has his sights set on two goals: finding the next great classical guitar concerto, and erasing the taboo of injuries among musicians.

Aretha Franklin liked how Kris Bowers played piano at a competition in 2011. It was his big break — a fact that he says was with him while he scored a upcoming biopic about the late Queen of Soul.

James Newton Howard has composed the music for more than 100 films: thrillers, Disney animation and big fantasy series. His latest is the Tom Hanks western, News of the World.

Darren Aronofsky's 2000 film Requiem for a Dream spawned a musical motif that's rippled through media — and jumpstarted a new career for Clint Mansell, the composer of its haunted score.

Joker is a psychological character study of a disturbed man who turns violent. To give the comic book villain human depth, composer Hildur Guðnadóttir had to dig deep and empathize with the character.

John Williams is an honored film composer, but he began as an arranger. Williams is now arranging again, this time with the acclaimed violinist Anne-Sophie Mutter on the album Across the Stars.

Composers of color have long had to compete with dead white men for space on the concert stage. A new project, spearheaded by Rachel Barton Pine, seeks to correct that for the next generation.