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From sexist professors and low self-esteem to worldwide acclaim, the Finnish composer talks about her path to success and her relentless pursuit of sound.

In New York City, the area dominated by Lincoln Center was formerly home to Black and Puerto Rican communities. Etienne Charles' new musical work addresses that difficult past.

Gabriel Bouche Caro contemplates the implications of Puerto Rico's "neither here nor there" political status, and what options its people have for the future.

A composer? Cool. But what do you do for a living?

Whether you call it Carnival, Carnivale, or Mardi Gras, you’re talking one big party!

The PROTOTYPE festival, now in its 10th year, presents new operas and music-theater works in smaller settings. "We were trying to create a black box opera movement," says co-founder Beth Morrison.

The New York Philharmonic announced Tuesday afternoon that the charismatic 42-year-old conductor will be taking on the music director designate post at the start of the 2025-26 concert season.

Three people have accused two teachers at the world-renowned music school — composers Robert Beaser and the late Christopher Rouse — of sexual misconduct dating back to the 1990s and 2000s.

Castle of Our Skins celebrates 10 years of fostering Black music and cultural exploration in the Boston area with their debut album, "Homage: Chamber Music From Across the African Continent & Diaspora."

A Ukrainian chorus first performed Shchedryk in the U.S. in 1922. A century later, during another fight for freedom, Ukrainian singers performed the folk song at the site of its North American debut.