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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.

In a special encore broadcast, the Boston Symphony’s Beethoven journey reaches the Symphony No. 6, the Pastoral Symphony, and the rhythmically charged Symphony No. 7.

On The Bach Hour, Eric Milnes leads Montreal Baroque in music that looks to the future with hope, and Klaus and Rainer Feldmann bring Bach's keyboard music into the realm of guitar duo.

On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.

On The Bach Hour, the Los Angeles-based violinist performs both parts - each on a different Stradivarius instrument - of one of the composer’s most dramatic concertos.

The Boston Symphony Orchestra welcomes back pianist Mitsuko Uchida for Beethoven’s Piano Concerto No. 4, and Andris Nelsons conducts Shostakovich’s Symphony No. 15 in the second concert of the BSO's "Decoding Shostakovich" series.

Augustin Hadelich is the soloist in Prokofiev’s Violin Concerto No. 2 on a program including Dvořák’s Symphony No. 7 and Sarah Kirkland Snider’s "Forward Into Light", a meditation on “perseverance, bravery, and alliance.”

On The Bach Hour, the Principal Oboist of the Berlin Philharmonic explores the expressive terrain of the composer's cantatas, transformed into a concerto.

On The Bach Hour, Bach Collegium Japan performs the composer's "Trauerode," written to mourn the passing of a royal princess who embodied the values and hopes of her time.

The mandolin virtuoso talks with host Brian McCreath about the rich musical environment of his childhood, what led him to the mandolin, and the role Bach's music plays in his artistic life.