Craig F. Humber

On The Bach Hour, the solidity and expression of one hymn tune is the foundation of works for solo violin and pipe organ, as well as the Cantata No. 172, performed by Amsterdam Baroque and director Ton Koopman.

On The Bach Hour, harmonic solidity and quicksilver brilliance come together in the hands of the German violinist, and Sigiswald Kuijken directs the Cantata No. 180, revealing a pathway from darkness to light.