In his Cantata No. 156, the composer infuses a particular sequence with the meaning of words of devotion to create a sonic symbol, part of a performance directed by Masaaki Suzuki on The Bach Hour.

On The Bach Hour, Murray Perahia is the soloist in the composer's Concerto in D, and Ton Koopman leads a cantata inspired by the transformation of water into wine.

On The Bach Hour, in the final chapter of the composer's narrative for the season, a clever deception heads off a potential disaster, laying the groundwork for a promising future.

On The Bach Hour, the fifth of the composer's six-part narrative for the season reveals a fearsome terror and the calm radiance that counters that threat.

On The Bach Hour, the simple act of naming unlocks a transformation in the fourth of the composer's six-part narrative for the season.

On the Bach Hour, the unprecedented, world-changing events of the Christmas story are filtered through one central character in the third of the composer's six-part narrative for the season.

On the Bach Hour, angels bring shepherds through the night to a scene of peaceful warmth in the second of Bach's six-part narrative for the season, in a concert performance led by Nikolaus Harnoncourt.

On The Bach Hour, the first of the composer's six-part narrative for the season expresses joy, doubt, and wonder in a concert performance led by Nikolaus Harnoncourt.

In a conversation with host Brian McCreath on The Bach Hour, Hahn describes the endless creative possibilities in the composer's music for solo violin and plays the Sonata No. 2.

On The Bach Hour, harmonic solidity and quicksilver brilliance come together in the hands of the German violinist, and Sigiswald Kuijken directs the Cantata No. 180, revealing a pathway from darkness to light.