German Brass

On The Bach Hour, Rudolf Lutz conducts the composer's Cantata 168, in which fearsome metaphors from the natural world are answered by allusions to eternity.

On The Bach Hour, the renowned cellist places the composer's music at the center of a world-wide effort to build local communities and confront their unique challenges.

On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a brilliant expression of the multi-dimensional beauty of the composer's art.

The conductor and organist brings Bach's fascination with Italian music to life in works inspired by Vivaldi and Pergolesi on The Bach Hour.

In his Cantata No. 156, the composer infuses a particular sequence with the meaning of words of devotion to create a sonic symbol, part of a performance directed by Masaaki Suzuki on The Bach Hour.

On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works.

The Artistic Director of the Handel and Haydn Society talks with host Brian McCreath about the unique expressions of Bach’s motets and directs one of them, Jesu, meine Freude, on The Bach Hour.

On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in a short but critical chapter in the long narrative told by the composer through a series of works, and Alina Ibragimova performs the Violin Concerto in E.