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Marco BorggreveOn The Bach Hour, Kristian Bezuidenhout is the harpsichordist in one of the masterpieces of the instrument, recorded in concert at the Boston Early Music Festival. -
Patrick Allen/Opera OmniaThe British pianist infuses Bach's Partita No. 4 with rhythmic verve and nuance, and Ton Koopman conducts the Cantata No. 96, on The Bach Hour.
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On The Bach Hour, Petra Müllejans and Gottfried von der Goltz are the soloists in the composer's irresistible Concerto for Two Violins, and Ton Koopman conducts the Cantata No. 47. -
The mandolin virtuoso talks with host Brian McCreath about the rich musical environment of his childhood, what led him to the mandolin, and the role Bach's music plays in his artistic life. -
On The Bach Hour, the words of one of today's most eloquent pianists illuminate his performance of the composer's Partita No. 3, and Konrad Junghänel conducts the Missa Brevis in G minor. -
On The Bach Hour, an artist of uncommon insight interprets - and talks about - one of Bach's most imposing compositions, and Martin Pearlman leads Boston Baroque in Magnificat. -
On The Bach Hour, Rudolf Lutz conducts the composer's Cantata 168, in which fearsome metaphors from the natural world are answered by allusions to eternity. -
On The Bach Hour, soprano Malin Hartelius and trumpeter Niklas Eklund are the soloists in a work marked by virtuosity, deep soulfulness, and ravishing exuberance. -
On The Bach Hour, the Prague-based harpsichordist reveals the astonishing creative force embedded in Bach's Toccatas, and Ton Koopman directs the Cantata 187. -
On The Bach Hour, the Boston-based violist brings her penetrating insights to the composer's Cello Suites, describing their emotional power in a conversation with host Brian McCreath. -
On The Bach Hour, a simple tune is continually transformed, creating the foundations of multiple themes in the composer's Cantata No. 93, conducted by Ton Koopman. -
On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that expresses the timeless theme of forgiveness of one's enemies as a route to contentment.
