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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that expresses the timeless theme of forgiveness of one's enemies as a route to contentment.
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On The Bach Hour, the Chopin Competition winner reveals passion, drama, and crystalline spark in a solo piano work, and Rudolf Lutz conducts a work infused with hope and joy, Cantata No. 30.
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On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a brilliant expression of the multi-dimensional beauty of the composer's art.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's musical confrontation with the capriciousness of life.
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On The Bach Hour, a legendary instrument at Schlosskirche Altenburg - played when it was new by the composer himself - transmits an astonishing range of sonic color in the Passacaglia in C minor and Cantata 146.
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On The Bach Hour, Alina Ibragimova is the soloist in Bach's Violin Concerto in D minor, and Christophe Coin leads the Cantata No. 85, "I Am the Good Shepherd."
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On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in a dramatic post-Easter cantata, and Andrew Manze conducts the composer's Triple Concerto.
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On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a work that's at once contemplative and exuberant, and Angela Hewitt plays selections from Book II of the Well-Tempered Clavier.
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On The Bach Hour, the enigmatic Canadian pianist dispatches one of Bach's greatest masterpieces in an interpretation for the ages.
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The conductor and organist brings Bach's fascination with Italian music to life in works inspired by Vivaldi and Pergolesi on The Bach Hour.
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On The Bach Hour, the Academy for Ancient Music Berlin illuminates a magical fusion of works by two iconic composers, and John Eliot Gardiner conducts the "Actus Tragicus."
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On The Bach Hour, Canadian Brass applies their burnished sonic brilliance and seamless musicality to excerpts from the composer's "Goldberg Variations."