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On The Bach Hour, Rana describes the origin of her passion for Bach's music as she grew up in southern Italy, and Philippe Herreweghe conducts the Cantata No. 29, "Wir danken dir, Gott."
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On The Bach Hour, Ton Koopman conducts music that reflects both the inspiration and defiance of the composer's community, and the American Bach Soloists perform the Brandenburg Concerto No. 1.
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A performance at the Van Cliburn International Piano Competition leads to a thriving concert career, and Philippe Herreweghe leads the Cantata No. 161 on The Bach Hour.
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On The Bach Hour, the vast sonic landscape of Gustav Mahler's vision transforms selections from Bach's Orchestral Suites, with the Royal Concertgebouw Orchestra and conductor Riccardo Chailly.
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On The Bach Hour, Philippe Herreweghe leads a work that grapples with oppositional forces of light and dark, and pianist Igor Levit performs the composer's Partita No. 2.
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On The Bach Hour, Petra Müllejans and Gottfried von der Goltz are the soloists in the composer's irresistible Concerto for Two Violins, and Ton Koopman conducts the Cantata No. 47.
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The mandolin virtuoso talks with host Brian McCreath about the rich musical environment of his childhood, what led him to the mandolin, and the role Bach's music plays in his artistic life.
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On The Bach Hour, the words of one of today's most eloquent pianists illuminate his performance of the composer's Partita No. 3, and Konrad Junghänel conducts the Missa Brevis in G minor.
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On The Bach Hour, an artist of uncommon insight interprets - and talks about - one of Bach's most imposing compositions, and Martin Pearlman leads Boston Baroque in Magnificat.
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On The Bach Hour, Rudolf Lutz conducts the composer's Cantata 168, in which fearsome metaphors from the natural world are answered by allusions to eternity.
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On The Bach Hour, soprano Malin Hartelius and trumpeter Niklas Eklund are the soloists in a work marked by virtuosity, deep soulfulness, and ravishing exuberance.
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On The Bach Hour, the Prague-based harpsichordist reveals the astonishing creative force embedded in Bach's Toccatas, and Ton Koopman directs the Cantata 187.