On The Bach Hour, the Chopin Competition winner reveals passion, drama, and crystalline spark in a solo piano work, and Rudolf Lutz conducts a work infused with hope and joy, Cantata No. 30.

On The Bach Hour, Philippe Pierlot leads Collegium Vocale Gent and the Ricercar Consort in music that begins in the wonder of the cosmos and ends in quiet, individual commitment.

On The Bach Hour, one of Boston's cornerstone ensembles performs music that starts in weakness and frailty and becomes a vigorous picture of strength.

On The Bach Hour, Masaaki Suzuki conducts a joyfully expressive cantata written for the dedication of a pipe organ in a small German village, and William Porter performs on that very instrument.

On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a brilliant expression of the multi-dimensional beauty of the composer's art.

On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's musical confrontation with the capriciousness of life.

On The Bach Hour, a legendary instrument at Schlosskirche Altenburg - played when it was new by the composer himself - transmits an astonishing range of sonic color in the Passacaglia in C minor and Cantata 146.

On The Bach Hour, Alina Ibragimova is the soloist in Bach's Violin Concerto in D minor, and Christophe Coin leads the Cantata No. 85, "I Am the Good Shepherd."

On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in a dramatic post-Easter cantata, and Andrew Manze conducts the composer's Triple Concerto.

On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a work that's at once contemplative and exuberant, and Angela Hewitt plays selections from Book II of the Well-Tempered Clavier.