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On The Bach Hour, the renowned cellist places the composer's music at the center of a world-wide effort to build local communities and confront their unique challenges.
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On The Bach Hour, the Prague-based harpsichordist reveals the astonishing creative force embedded in Bach's Toccatas, and Ton Koopman directs the Cantata 187.
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On The Bach Hour, Shaham's decades of experience - both musical and otherwise - inform a rich interpretation of Bach's solo violin works, illuminated through both performance and conversation.
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On The Bach Hour, Philippe Pierlot leads Collegium Vocale Gent and the Ricercar Consort in music that begins in the wonder of the cosmos and ends in quiet, individual commitment.
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On The Bach Hour, one of Boston's cornerstone ensembles performs music that starts in weakness and frailty and becomes a vigorous picture of strength.
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On The Bach Hour, Masaaki Suzuki conducts a joyfully expressive cantata written for the dedication of a pipe organ in a small German village, and William Porter performs on that very instrument.
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On The Bach Hour, soprano Malin Hartelius and trumpeter Niklas Eklund are the soloists in a work marked by virtuosity, deep soulfulness, and ravishing exuberance.
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On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a brilliant expression of the multi-dimensional beauty of the composer's art.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's musical confrontation with the capriciousness of life.
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On The Bach Hour, Alina Ibragimova is the soloist in Bach's Violin Concerto in D minor, and Christophe Coin leads the Cantata No. 85, "I Am the Good Shepherd."
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On The Bach Hour, David Fray is the pianist in music that grew not only from the composer's invention and craft, but also from his close relationship with his wife.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.