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On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in a dramatic post-Easter cantata, and Andrew Manze conducts the composer's Triple Concerto.
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On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a work that's at once contemplative and exuberant, and Angela Hewitt plays selections from Book II of the Well-Tempered Clavier.
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On The Bach Hour, Canadian Brass applies their burnished sonic brilliance and seamless musicality to excerpts from the composer's "Goldberg Variations."
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On The Bach Hour, Rana describes the origin of her passion for Bach's music as she grew up in southern Italy, and Philippe Herreweghe conducts the Cantata No. 29, "Wir danken dir, Gott."
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On The Bach Hour, conductor Rinaldo Alessandrini leads his Italian ensemble in unique re-imaginings of Bach's music, and Konrad Junghänel conducts the Missa Brevis in F.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in music that grapples with the challenges of everyday life, and Pieter-Jan Belder leads the exuberant Brandenburg Concerto No. 3.
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On The Bach Hour, the Principal Flutist of the Berlin Philharmonic is joined by his colleagues for one of Bach’s most virtuosic creations for his instrument.
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On The Bach Hour, the late, legendary pianist brings years of personal and artistic insight to an arrangement of one of Bach's most emotionally challenging works.
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On The Bach Hour, the Iranian-born pianist performs Bach's Keyboard Concerto No. 3, and Masaaki Suzuki conducts the Cantata No. 69a.
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On The Bach Hour, destruction on a Biblical scale is the foundation of music that grapples with mysteries and uncertainties as relevant today as in the composer's time.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in a work that broke new ground for the composer, expressing a path from “anxious conscience” to an embrace of self-assurance.
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In a performance at the Gewandhaus in Leipzig, Germany, Iranian-born pianist Ramin Bahrami is the soloist in Bach's emotionally probing D minor concerto.