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On The Bach Hour, Alina Ibragimova is the soloist in Bach's Violin Concerto in D minor, and Christophe Coin leads the Cantata No. 85, "I Am the Good Shepherd."
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On The Bach Hour, David Fray is the pianist in music that grew not only from the composer's invention and craft, but also from his close relationship with his wife.
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On The Bach Hour, when a king throws a vexing musical challenge at the composer, it sparks a dazzling response in "The Musical Offering," and an equally dazzling interpretation by Jordi Savall and The Concert of Nations.
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On The Bach Hour, the Dutch violinist performs Bach's music with her father, Jan Jansen, and Masaaki Suzuki leads Bach Collegium Japan through the kinetic, quicksilver energy of the Cantata No. 26.
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On The Bach Hour, the composer harnesses the mellow lyricism, the astonishing power, and even the historical roots of the horn in his Cantata 52, and horn soloist Radek Baborák brings the instrument's dynamism to a concerto originally for harpsichord.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in music that grapples with the challenges of everyday life, and Pieter-Jan Belder leads the exuberant Brandenburg Concerto No. 3.
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On The Bach Hour, the Principal Flutist of the Berlin Philharmonic is joined by his colleagues for one of Bach’s most virtuosic creations for his instrument.
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On The Bach Hour, the late, legendary pianist brings years of personal and artistic insight to an arrangement of one of Bach's most emotionally challenging works.
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The mandolin virtuoso talks with host Brian McCreath about the rich musical environment of his childhood, what led him to the mandolin, and the role Bach's music plays in his artistic life.
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On The Bach Hour, destruction on a Biblical scale is the foundation of music that grapples with mysteries and uncertainties as relevant today as in the composer's time.
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On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.
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On The Bach Hour, Ton Koopman leads Amsterdam Baroque in a work that broke new ground for the composer, expressing a path from “anxious conscience” to an embrace of self-assurance.