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On The Bach Hour, Philippe Pierlot leads Collegium Vocale Gent and the Ricercar Consort in music that begins in the wonder of the cosmos and ends in quiet, individual commitment.
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On The Bach Hour, one of Boston's cornerstone ensembles performs music that starts in weakness and frailty and becomes a vigorous picture of strength.
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On The Bach Hour, a legendary instrument at Schlosskirche Altenburg - played when it was new by the composer himself - transmits an astonishing range of sonic color in the Passacaglia in C minor and Cantata 146.
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On The Bach Hour, Alina Ibragimova is the soloist in Bach's Violin Concerto in D minor, and Christophe Coin leads the Cantata No. 85, "I Am the Good Shepherd."
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On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in a dramatic post-Easter cantata, and Andrew Manze conducts the composer's Triple Concerto.
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On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a work that's at once contemplative and exuberant, and Angela Hewitt plays selections from Book II of the Well-Tempered Clavier.
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On The Bach Hour, the enigmatic Canadian pianist dispatches one of Bach's greatest masterpieces in an interpretation for the ages.
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The conductor and organist brings Bach's fascination with Italian music to life in works inspired by Vivaldi and Pergolesi on The Bach Hour.
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On The Bach Hour, the Academy for Ancient Music Berlin illuminates a magical fusion of works by two iconic composers, and John Eliot Gardiner conducts the "Actus Tragicus."
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On The Bach Hour, Canadian Brass applies their burnished sonic brilliance and seamless musicality to excerpts from the composer's "Goldberg Variations."
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On The Bach Hour, Rana describes the origin of her passion for Bach's music as she grew up in southern Italy, and Philippe Herreweghe conducts the Cantata No. 29, "Wir danken dir, Gott."
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On The Bach Hour, conductor Rinaldo Alessandrini leads his Italian ensemble in unique re-imaginings of Bach's music, and Konrad Junghänel conducts the Missa Brevis in F.