On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.

On The Bach Hour, organist Balint Karosi joins host Brian McCreath with rich context for his performance of the composer's magisterial collection called Clavierübung, Part III.

On The Bach Hour, Eric Milnes leads Montreal Baroque in music that looks to the future with hope, and Klaus and Rainer Feldmann bring Bach's keyboard music into the realm of guitar duo.

The mandolin virtuoso talks with host Brian McCreath about the rich musical environment of his childhood, what led him to the mandolin, and the role Bach's music plays in his artistic life.

On The Bach Hour, Bach Collegium Japan performs the composer's "Trauerode," written to mourn the passing of a royal princess who embodied the values and hopes of her time.

On The Bach Hour, the Principal Oboist of the Berlin Philharmonic explores the expressive terrain of the composer's cantatas, transformed into a concerto.

On The Bach Hour, John Eliot Gardiner conducts an artistically riveting work with roots in the cultural fears and biases of the composer's time and place.

On The Bach Hour, Helmut Rilling conducts the composer's Cantata No. 84 and selections from the Mass in B minor, and guitarist Jason Vieaux and German Brass each offer distinctive interpretations in two of Bach's instrumental works.

On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.

On The Bach Hour, when a king throws a vexing musical challenge at the composer, it sparks a dazzling response in "The Musical Offering," and an equally dazzling interpretation by Jordi Savall and The Concert of Nations.