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  • On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in a short but critical chapter in the long narrative told by the composer through a series of works, and Alina Ibragimova performs the Violin Concerto in E.
  • On The Bach Hour, the Concertmaster of Boston’s Handel and Haydn Society talks about her journey to period instrument performance and the centrality of Bach’s music in her artistic life.
  • On The Bach Hour, the composer's Cantata No. 86, led by Ton Koopman, reflects a devotion to the sacred, while an enthusiasm for weekend social gatherings comes to life in the Orchestral Suite No. 1, directed by Richard Egarr.
  • On WCRB In Concert with the Boston Pops, pianist Lara Downes and actor/singer Brian Stokes Mitchell join for an evening of music dedicated to the musical legacy of Duke Ellington, plus the world premiere of a concerto built on music by Billy Strayhorn, all conducted by Keith Lockhart.
  • On The Bach Hour, the Hilliard Ensemble and soloist Christoph Poppen bring the composer's Violin Partita No. 2 together with his settings of Lutheran chorales to render a sonic picture of anguish, grief, and transcendence.
  • The British pianist infuses Bach's Partita No. 4 with rhythmic verve and nuance, and Ton Koopman conducts the Cantata No. 96, on The Bach Hour.
  • In the third program of “Voices of Loss, Reckoning, and Hope,” the women’s vocal ensemble joins the BSO in composer Julia Wolfe’s commemoration of the fight for women’s suffrage, and Giancarlo Guerrero conducts Górecki’s Symphony of Sorrowful Songs, with soprano Aleksandra Kurzak.
  • Through the distinctive compositions of 23 of the most gifted Black composers of our time, performed by eight extraordinary singers, Tulsa Opera celebrates resilience and hope in a commemoration of the 1921 Tulsa race massacre.
  • On The Bach Hour, the Boston-based violist brings her penetrating insights to the composer's Cello Suites, describing their emotional power in a conversation with host Brian McCreath.
  • On The Bach Hour, the fifth of the composer's six-part narrative for the season reveals a fearsome terror and the calm radiance that counters that threat.
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