Classical 99.5 | Classical Radio Boston
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
Support for CRB is provided by:
Support for CRB is provided by:

Search results for

  • On The Bach Hour, the Hilliard Ensemble and soloist Christoph Poppen bring the composer's Violin Partita No. 2 together with his settings of Lutheran chorales to render a sonic picture of anguish, grief, and transcendence.
  • The British pianist infuses Bach's Partita No. 4 with rhythmic verve and nuance, and Ton Koopman conducts the Cantata No. 96, on The Bach Hour.
  • On The Bach Hour, Olivier Latry talks about the devastating 2019 fire at Notre Dame Cathedral, where he's been an organist since 1985, and performs Bach's music in one of the last recordings made before the fire.
  • On WCRB In Concert with the Boston Pops, Keith Lockhart leads the Pops and the Tanglewood Festival Chorus in a celebration of the season at Symphony Hall.
  • In the third program of “Voices of Loss, Reckoning, and Hope,” the women’s vocal ensemble joins the BSO in composer Julia Wolfe’s commemoration of the fight for women’s suffrage, and Giancarlo Guerrero conducts Górecki’s Symphony of Sorrowful Songs, with soprano Aleksandra Kurzak.
  • Available on demand, on WCRB In Concert with the Handel and Haydn Society, Václav Luks conducts Beethoven's revolutionary Symphony No. 3, the "Eroica," as well as rarely heard music by Wranitzky.
  • On WCRB In Concert with the Handel and Haydn Society, Czech conductor Václav Luks also leads lesser-known music by Voříšek and Bologne.
  • On The Bach Hour, the Welsh soprano is the soloist in the first recording of a cantata that had been lost for almost three centuries, a discovery described by Harvard University's Christoph Wolff.
  • Through the distinctive compositions of 23 of the most gifted Black composers of our time, performed by eight extraordinary singers, Tulsa Opera celebrates resilience and hope in a commemoration of the 1921 Tulsa race massacre.
  • On The Bach Hour, the Polish pianist's earliest musical experiences, as a five-year-old learning the pipe organ, are the foundation of an exceptionally poetic approach to Bach's Partita No. 3.
9 of 157