Earl Lee

Steven Banks sits against a dark gray backdrop surrounded by four saxophones of different sizes. He wears a cerulean blue suit with a white shirt and silver tie. He has short black hair that's faded on the sides and he wears round glasses. He looks off to the right of frame, smiling as if he's just laughed.

In an encore broadcast, Banks is the soloist in Henri Tomasi’s sultry, atmospheric Saxophone Concerto, and Earl Lee conducts two works that explore the power of fate, César Franck’s Le Chasseur maudit, or "The Accursed Huntsman," and Tchaikovsky’s Symphony No. 4.

Earl Lee wears concert black and stands in front of a black background. He holds his baton and smiles at the camera softly. Yo-Yo Ma wears an oxford button-down and sits in front of a black background. He holds his cello and bow in one hand, and he smiles at the camera warmly.

Yo-Yo Ma, the BSO, and Schumann at Tanglewood

In a Boston Symphony concert from Tanglewood, Yo-Yo Ma is the soloist in Robert Schumann’s Cello Concerto, and BSO Assistant Conductor Earl Lee leads the orchestra in Carlos Simon’s “Fate Now Conquers” and Beethoven's Symphony No. 7, on demand.

Twin Vivacity with the Naughtons, at Tanglewood

In an encore broadcast, Christina and Michelle Naughton are the soloists in Poulenc’s firecracker Concerto for Two Pianos, and Earl Lee leads the Boston Symphony Orchestra in Mendelssohn’s “Scottish” Symphony and “Pulse,” by Brian Raphael Nabors.

Earl Lee (left) and Eric Lu (right) face the camera.

Schumann, Mozart, and Chin, with Lee and the BSO

In an encore broadcast, BSO Assistant Conductor Earl Lee conducts Unsuk Chin’s powerful tribute to Beethoven, "subito con forza," and Robert Schumann’s Symphony No. 2, as well as Mozart’s brooding Piano Concerto No. 20, with soloist Eric Lu in his Boston Symphony debut.