Search results for

On The Bach Hour, transcriptions by three different composers come together in one piece for piano, and Ton Koopman conducts the composer's Cantata 97.

From Hollywood’s Golden Age to John Williams’s iconic scores, Film Night with the Boston Pops returns to Tanglewood with a special celebration of Henry Mancini’s 100th birthday, all led by conductors Ken-David Masur and David Newman.

In her Boston Symphony debut, conductor Dalia Stasevska leads a program that includes Sibelius’s Canzonetta and Symphony No. 5, as well as Stravinsky’s Violin Concerto, with soloist Leila Josefowicz, on demand.

In the first of a season of collaborations with the Boston Symphony, Hadelich is the soloist in one of the most dynamic and fascinating concertos of our time, and Andris Nelsons conducts Tchaikovsky's Fifth Symphony.

Dima Slobodeniouk conducts the Boston Symphony in the highly anticipated world premiere of Tania León’s Time to Time, followed by Roberto Sierra’s Concerto for Saxophones and Orchestra featuring soloist James Carter, as well as Brahms’s lyrically pastoral Second Symphony.

On the Bach Hour, angels bring shepherds through the night to a scene of peaceful warmth in the second of Bach's six-part narrative for the season, in a concert performance led by Nikolaus Harnoncourt.

The Boston Symphony Orchestra, a collection of stellar soloists, and the Tanglewood Festival Chorus joined by the Boys of the St. Paul’s Choir School perform Mahler’s spiritually optimistic Eighth Symphony.

On The Bach Hour, Ton Koopman leads Amsterdam Baroque in music that reflects the complexity of belief through one of the composer's most brilliant works, written for Easter.

Antonio Pappano conducts the Boston Symphony Orchestra in Britten’s mighty "War Requiem," with a cast of singers, the Tanglewood Festival Chorus, and the Boston Symphony Children’s Choir.

Andris Nelsons leads the BSO and soloists in Shostakovich's explosive opera "Lady Macbeth of Mtsensk," with soprano Kristine Opolais, tenors Brendan Gunnell and Peter Hoare, and bass Günther Groissböck.