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Wang joins returning conductor Domingo Hindoyan for Prokofiev’s Second Piano Concerto, bookended by Copland’s optimistic Third Symphony and Bernstein’s Three Dance Episodes from “On The Town.”

In the first of a season of collaborations with the Boston Symphony, Hadelich is the soloist in one of the most dynamic and fascinating concertos of our time, and Andris Nelsons conducts Tchaikovsky's Fifth Symphony.

On The Bach Hour, the composer's Cantata No. 19, for St. Michael and All Angels, expresses a terrifying, visceral quality of battle, and a hope for protection and safety.

Universally acknowledged as one of the world’s great concert halls, Symphony Hall’s 125-year anniversary concert features Beethoven’s monumental Missa Solemnis, the very music that was performed when the hall opened in 1900.

Music Director Andris Nelsons shares a program with conductors Ross Jamie Collins and Na’Zir McFadden featuring works by Sibelius and Grieg, with piano soloist Benjamin Grosvenor.

In a conversation with host Brian McCreath on The Bach Hour, Hahn describes the endless creative possibilities in the composer's music for solo violin and plays the Sonata No. 2.

On The Bach Hour, conductor Rinaldo Alessandrini leads his Italian ensemble in unique re-imaginings of Bach's music, and Konrad Junghänel conducts the Missa Brevis in F.

Nodoka Okisawa, a protégée of former BSO Music Director Seiji Ozawa, makes her Boston Symphony Orchestra debut with Takemitsu’s “Requiem for strings,” as well as Dvořák’s Seventh Symphony and Violin Concerto with soloist Midori.

On WCRB In Concert with the Boston Early Music Festival, the ensembles ACRONYM and Constantinople showcase the music of J.S. Bach, Omar Khayyam, and the Holy Roman Empire.

Pianist Seong-Jin Cho returns to Symphony Hall as the soloist in Tchaikovsky’s Piano Concerto No. 1 in a program that also includes Bernstein’s Chichester Psalms and Allison Loggins-Hull’s Rhapsody on a Theme by Joni for flute and orchestra, with BSO Principal Flute Lorna McGhee.