Bach Collegium Japan

On The Bach Hour, Bach Collegium Japan performs the composer's "Trauerode," written to mourn the passing of a royal princess who embodied the values and hopes of her time.

On The Bach Hour, the Finnish conductor leads the Los Angeles Philharmonic in Arnold Schoenberg's lush orchestration of the "St. Anne" Prelude and Fugue, and Masaaki Suzuki conducts the Cantata 73.

On The Bach Hour, Marcel Ponseele leads the Belgian ensemble Il Gardellino in Bach's Cantata 154, an expression of the desperation of separation and the joy of reunion.

On The Bach Hour, Masaaki Suzuki leads music rooted in a warm and inviting divine presence, and Seiji Ozawa conducts the Boston Symphony in an extroverted orchestration of the "St. Anne" Prelude and Fugue.

On The Bach Hour, the Iranian-born pianist performs Bach's Keyboard Concerto No. 3, and Masaaki Suzuki conducts the Cantata No. 69a.

On The Bach Hour, the renowned cellist places the composer's music at the center of a world-wide effort to build local communities and confront their unique challenges.

On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in the cantata that includes "Jesu, Joy of Man's Desiring," and Lucas and Arthur Jussen are the soloists in an exuberant work for two pianos.

On The Bach Hour, Masaaki Suzuki conducts a joyfully expressive work written for the dedication of a pipe organ in a small German village, and William Porter performs on that very instrument.

The conductor and organist brings Bach's fascination with Italian music to life in works inspired by Vivaldi and Pergolesi on The Bach Hour.

On The Bach Hour, violist Maxim Rysanov's interpretation of the composer's Cello Suite No. 1 is a merging of two musical approaches that mirror his own path through life, and Masaaki Suzuki conducts the Cantata No. 92.