Bach Collegium Japan

On The Bach Hour, Marcel Ponseele leads the Belgian ensemble Il Gardellino in Bach's Cantata 154, an expression of the desperation of separation and the joy of reunion.

On The Bach Hour, Masaaki Suzuki leads music rooted in a warm and inviting divine presence, and Seiji Ozawa conducts the Boston Symphony in an extroverted orchestration of the composer's "St. Anne" Prelude and Fugue.

On The Bach Hour, the Iranian-born pianist performs Bach's Keyboard Concerto No. 3, and Masaaki Suzuki conducts the Cantata No. 69a.

On The Bach Hour, the renowned cellist places the composer's music at the center of a world-wide effort to build local communities and confront their unique challenges.

On The Bach Hour, Masaaki Suzuki conducts a joyfully expressive cantata written for the dedication of a pipe organ in a small German village, and William Porter performs on that very instrument.

The conductor and organist brings Bach's fascination with Italian music to life in works inspired by Vivaldi and Pergolesi on The Bach Hour.

On The Bach Hour, the Dutch violinist performs Bach's music with her father, Jan Jansen, and Masaaki Suzuki leads Bach Collegium Japan through the kinetic, quicksilver energy of the Cantata No. 26.

On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in the cantata that includes "Jesu, Joy of Man's Desiring," and Lucas and Arthur Jussen are the soloists in an exuberant work for two pianos.

On The Bach Hour, bassist Edgar Meyer, cellist Yo-Yo Ma, and mandolinist Chris Thile bring their distinctive musical voices to a Trio by Bach.

On The Bach Hour, the Dutch cellist describes his interpretation of the composer's Cello Suite No. 2, and Masaaki Suzuki conducts the Cantata No. 87.