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In his Cantata No. 156, the composer infuses a particular sequence with the meaning of words of devotion to create a sonic symbol, part of a performance directed by Masaaki Suzuki on The Bach Hour.
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On The Bach Hour, the fifth of the composer's six-part narrative for the season reveals a fearsome terror and the calm radiance that counters that threat.
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On the program:Chorale Prelude: Wo soll ich fliehen, BWV 694 - Hans Fagius, organ (Nils-Olof Berg organ of the Mission Church Uppsala, Sweden)Cantata BWV…
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On the program:Contrapunctus I, from The Art of the Fugue - Emerson String QuartetCantata BWV 33 Allein zu dir, Herr Jesu Christ (translation) - Franziska…