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On The Bach Hour, the fifth of the composer's six-part narrative for the season reveals a fearsome terror and the calm radiance that counters that threat.
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On The Bach Hour, the simple act of naming unlocks a transformation in the fourth of the composer's six-part narrative for the season.
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Seiji Ozawa leads the BSO in a magical ballet score for the season that expresses the innocence of childhood and the drama of transformation, sprinkled with musical delights and passion.
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On the Bach Hour, the unprecedented, world-changing events of the Christmas story are filtered through one central character in the third of the composer's six-part narrative for the season.
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On the Bach Hour, angels bring shepherds through the night to a scene of peaceful warmth in the second of Bach's six-part narrative for the season, in a concert performance led by Nikolaus Harnoncourt.
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On The Bach Hour, the first of the composer's six-part narrative for the season expresses joy, doubt, and wonder in a concert performance led by Nikolaus Harnoncourt.
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On The Bach Hour, the English pastoral tradition of Vaughan Williams, Walton, Bax, and others meets Bach's music through the interpretations of pianist Jonathan Plowright, and Ton Koopman leads the Cantata 116.
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On The Bach Hour, the Dutch violinist performs Bach's music with her father, Jan Jansen, and Masaaki Suzuki leads Bach Collegium Japan through the kinetic, quicksilver energy of the Cantata No. 26.
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On The Bach Hour, Seiji Ozawa leads the Boston Symphony Orchestra in Hideo Saito's riveting arrangement of the Chaconne from the composer's Violin Partita No. 2.
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On WCRB In Concert with the Boston Early Music Festival, the Belgian ensemble Vox Luminis joins the BEMF Orchestra in Handel's Ode for St. Cecilia’s Day and Bach's Magnificat at Jordan Hall.