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Pianist Mitsuko Uchida is the soloist in Beethoven’s Piano Concerto No. 5, and Andris Nelsons harnesses the full force of the BSO in Shostakovich’s powerful Symphony No. 5.

Heartwarming! This baby has great taste.

On The Bach Hour, the Dutch cellist talks with host Brian McCreath about the composer's suites for solo cello, and Ton Koopman leads Amsterdam Baroque in the Cantata No. 140, "Wachet auf."

Wintry mix gives way to buoyant hope. Spring is in the ear, in February's Instant Replay.

It's Friday! Link roundup is here! It's a long weekend! What could be better? The twitter world dubbing a cellist #cellobae, that's what.1. First things…

The German countertenor sings the Cantata No. 82, "Ich habe genug," and talks with host Brian McCreath about its meaning and the wider role of art in our lives, on The Bach Hour.

Thomas Adès returns to the Boston Symphony to conduct Igor Stravinsky’s dreamy retelling of Perséphone and two of his own works inspired by Dante Alighieri’s 14th-century Italian epic poem Commedia.

In an encore broadcast, Karina Canellakis takes up her baton at Symphony Hall for the very first time in a folk-inspired Boston Symphony program that features Dvořák’s "The Wood Dove" and Lutosławski’s Concerto for Orchestra, and Nicola Benedetti makes her BSO debut with Szymanowski’s Violin Concerto No. 2.

The Italian pianist is the soloist in the sweeping epic of Tchaikovsky’s Piano Concerto No. 1, and Dima Slobodeniouk leads the Boston Symphony Orchestra in Dvořák’s Symphony No. 7.

The Boston Symphony Orchestra, in collaboration with Bill Barclay’s Concert Theatre Works, performs "Romeo and Juliet: A Theatrical Concert for Orchestra and Actors," based on the ballet by Prokofiev.