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On The Bach Hour, a song by Martin Luther that helped change the world is the foundation of Bach's Cantata No. 80, and the Dunedin Consort performs the Brandenburg Concerto No. 6.

The BSO continues their "Decoding Shostakovich" series with his Symphony No. 6, and Stravinsky’s "Symphony of Psalms."

On The Bach Hour, Icelandic pianist Víkingur Ólafsson brings a spirit of collaborative creation to the composer's Aria and Variations in the Italian Manner, and Christoph Spering leads the Cantata No. 14.

The Swedish trumpeter is the soloist in Jörg Widmann's Towards Paradise, a BSO co-commission, and Andris Nelsons conducts Mahler’s vision of nature, life, and transformation, the First Symphony.

In an encore broadcast, Colombian conductor Andrés Orozco-Estrada leads the Boston Symphony for the first time in a rich program that includes Tchaikovsky’s "Romeo and Juliet" and Mozart’s Piano Concerto No. 18, with soloist Emanuel Ax.

Andris Nelsons leads the BSO and the Tanglewood Festival Chorus in a concert version of Mozart's opera buffa classic “Così fan tutte.”

There is nothing that compares to vocal music during the holidays, especially when it’s the vocal music of the Middle Ages and Renaissance, performed by…

The Czech conductor returns to Symphony Hall to lead the BSO in a celebration of Czech music through Janáček’s "Jealousy" and Dvorák’s Symphony No. 6, juxtaposed with Rachmaninoff's Piano Concerto No. 2 featuring the BSO debut of Lukáš Vondráček.

The revered interdisciplinary artist, now in her 80s, remains vigorous and regards the joy of curiosity as the key to staying young.

In an encore broadcast, Jan Lisiecki is the soloist in Mozart’s mysterious and stormy Piano Concerto No. 20, and conductor Philippe Jordan leads the BSO in Tchaikovsky’s emotionally harrowing Symphony No. 6, “Pathétique.”