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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the Cantata 190, "Sing to the Lord a New Song," written for New Year's Day.

Andris Nelsons leads the Boston Symphony in Stravinsky’s iconic tale of the Greek god Apollo and three muses of artistic inspiration, followed by Rimsky-Korsakov’s "Scheherazade", inspired by the story of “One Thousand and One Nights.”

In an encore Boston Symphony broadcast, Philippe Jordan makes his BSO debut conducting an all-Russian program of Borodin, a suite from Prokofiev’s "Romeo and Juliet," and Rachmaninoff’s Piano Concerto No. 3 with soloist Yefim Bronfman.

In an encore Boston Symphony Orchestra broadcast, Latvian violinist Baiba Skride is the soloist in Shostakovich’s Violin Concerto No. 1, and Andris Nelsons leads the orchestra in works by Pärt and Stravinsky, as well as Saariaho’s "Saarikoski Songs," with soprano Anu Komsi.

Kirill Gerstein is the soloist in György Ligeti's kaleidoscopic Piano Concerto in a celebration of the Hungarian composer's centennial, and Thomas Adès leads the BSO in Stravinsky’s "Orpheus," Franz Liszt’s "Les Préludes," and Adès's own "Tevot."

Andris Nelsons leads the Boston Symphony Orchestra in Tania León's 2019 Pulitzer Prize winner and Stravinsky's "The Rite of Spring," as well as Ravel's Piano Concerto for the Left Hand, with soloist Seong-Jin Cho.

In an encore broadcast, renowned South Korean pianist Seong-Jin Cho is the soloist in Maurice Ravel’s Piano Concerto in G, and Andris Nelsons leads the Boston Symphony in Caroline Shaw’s meditative "Punctum" and Stravinsky’s "Petrushka."

On WCRB In Concert with the Handel and Haydn Society, mystically beautiful works by Hildegard von Bingen and Raffaela Aleotti are framed by Haydn's Symphony No. 49 and Mozart's "Coronation" Mass.

Andris Nelsons leads the Boston Symphony in “The Brightness of Light,” by Kevin Puts, with soprano Renée Fleming and baritone Rod Gilfry, as well as two works by Mozart.

Andris Nelsons leads the BSO in works by Copland, Stravinsky, Thompson, and James Lee III, each a reflection of Serge Koussevitzky’s original vision of the role of Tanglewood in the music world.