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On The Bach Hour, the Welsh soprano is the soloist in the first recording of a cantata that had been lost for almost three centuries, a discovery described by Harvard University's Christoph Wolff.

On The Bach Hour, the Dutch cellist describes his interpretation of the composer's Cello Suite No. 2, and Masaaki Suzuki conducts the Cantata No. 87.

In an encore broadcast, pianist Emanuel Ax anchors a celebration of Czech composers, including Dvorák, Janácek, and Kaprálová, with Yo-Yo Ma, Leonidas Kavakos, and Antoine Tamsetit, at Tanglewood.

Through the distinctive compositions of 23 of the most gifted Black composers of our time, performed by eight extraordinary singers, Tulsa Opera celebrates resilience and hope in a commemoration of the 1921 Tulsa race massacre.

On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in a dramatic post-Easter cantata, and Andrew Manze conducts the composer's Triple Concerto.

In an encore broadcast, Dima Slobodeniouk leads the Boston Symphony Orchestra in music by Dutilleux and Debussy, as well as Ravel’s “Mother Goose,” and Leonidas Kavakos is the soloist in Mendelssohn’s Violin Concerto.

On demand, on WCRB In Concert with the Boston Pops, an epic story of three families whose intertwined fates reflect both the promise and shortcomings of America comes to the stage of Symphony Hall in a new concert version of the Broadway musical, led by Keith Lockhart.

On The Bach Hour, the harpsichordist and conductor reveals his process of assembling fragmentary clues to form an approach to some of Bach's most vibrant music.

In an encore broadcast, legendary violinist Itzhak Perlman is the soloist in Max Bruch’s Violin Concerto, and Dima Slobodeniouk conducts the Boston Symphony Orchestra in Brahms’s Symphony No. 1 and Unsuk Chin’s “subito con forza.”

On The Bach Hour, Craig Smith leads Boston's Emmanuel Music in the Cantata No. 75, a piece the composer wrote for his new home of Leipzig.