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The German countertenor sings the Cantata No. 82, "Ich habe genug," and talks with host Brian McCreath about its meaning and the wider role of art in our lives, on The Bach Hour.

Thomas Adès returns to the Boston Symphony to conduct Igor Stravinsky’s dreamy retelling of Perséphone and two of his own works inspired by Dante Alighieri’s 14th-century Italian epic poem Commedia.

In an encore broadcast, Karina Canellakis takes up her baton at Symphony Hall for the very first time in a folk-inspired Boston Symphony program that features Dvořák’s "The Wood Dove" and Lutosławski’s Concerto for Orchestra, and Nicola Benedetti makes her BSO debut with Szymanowski’s Violin Concerto No. 2.

The Italian pianist is the soloist in the sweeping epic of Tchaikovsky’s Piano Concerto No. 1, and Dima Slobodeniouk leads the Boston Symphony Orchestra in Dvořák’s Symphony No. 7.

The Boston Symphony Orchestra, in collaboration with Bill Barclay’s Concert Theatre Works, performs "Romeo and Juliet: A Theatrical Concert for Orchestra and Actors," based on the ballet by Prokofiev.

In an encore broadcast, the Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.

BSO Conductor Thomas Wilkins leads the Boston premiere of "Good News Mass," a new co-commission by Composer Chair Carlos Simon, after The Crossing performs David Lang's "poor hymnal."

Conductor Thomas Adés leads the Boston Symphony Orchestra in Jean Sibelius’s Violin Concerto, with Finnish compatriot Pekka Kuusisto, and the same composer’s Symphony No. 5.

On March 8th, International Women's Day, CRB features women conductors, composers, and performers, including these five unique artistic voices.

Thomas Wilkins leads the Boston Symphony Orchestra in selections from Ellington’s “Sacred Concerts,” “New World A-Coming,” with pianist Gerald Clayton, and more.