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Gubaidulina and Rachmaninoff, from Nelsons and the BSO
In a celebration of the composer's 90th birthday, Andris Nelsons leads the Boston Symphony Orchestra in Sofia Gubaidulina's "The Light of the End," as well as Rachmaninoff’s powerfully dramatic Third Symphony.
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•
8:02
Cody Fry, with the Boston Pops!
On WCRB In Concert with the Boston Pops, hear the songs of a masterful storyteller cast in lush and cinematic orchestrations as Fry makes his debut with the Pops. The first half of the concert features the winners of the Fidelity Investments Young Artists Competition.
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•
6:23
Family Drama in Bach's "Coffee" Cantata
On The Bach Hour, one of the composer's frothier musical creations tells the story of a father, his daughter, and a hot caffeinated beverage that causes a minor rift in family relations.
"I Dream a World," from the New World Symphony
The Miami-based orchestra celebrates the artistic explosion emanating from 1920s New York, with music and poetry inspired by the Harlem Renaissance, on demand.
Star-Crossed Lovers at Tanglewood
The Boston Symphony Orchestra, in collaboration with Bill Barclay’s Concert Theatre Works, performs "Romeo and Juliet: A Theatrical Concert for Orchestra and Actors," based on the ballet by Prokofiev.
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•
10:28
Earl Lee Leads the BSO in Beethoven’s “Ode to Joy”
Conductor Earl Lee leads the BSO in Beethoven’s Ninth Symphony, and James Burton conducts the world premiere of Carlos Simon’s “Words and Prayers of My Fathers.”
Bach, Through a British Lens
On The Bach Hour, the English pastoral tradition of Vaughan Williams, Walton, Bax, and others meets Bach's music through the interpretations of pianist Jonathan Plowright, and Ton Koopman leads the Cantata 116.
Stutzmann Conducts Stravinsky and Eberle Plays Beethoven
In an encore broadcast, conductor Nathalie Stutzmann makes her Boston Symphony Orchestra conducting debut in a program that includes Beethoven’s Violin Concerto with soloist Veronika Eberle, Ravel’s "Alborada del gracioso," and Stravinsky’s suite from "The Firebird."
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•
12:13
The Confident Swagger of Bach's Cantata 105
On The Bach Hour, Ton Koopman leads Amsterdam Baroque in a work that broke new ground for the composer, expressing a path from “anxious conscience” to an embrace of self-assurance.
The Tectonic Forces of Bach's Cantata 101
On The Bach Hour, destruction on a Biblical scale is the foundation of music that grapples with mysteries and uncertainties as relevant today as in the composer's time.
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