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Strauss at Tanglewood, with Fleming and the BSO
Renée Fleming and the Boston Symphony perform a program of dynamic, graceful, and emotionally riveting works by Richard Strauss, including a suite from the opera “Der Rosenkavalier.”
Gratitude and Joy in Bach's Cantata 147
On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in the cantata that includes "Jesu, Joy of Man's Desiring," and Lucas and Arthur Jussen are the soloists in an exuberant work for two pianos.
The Roiling River of a Bach Cantata
On The Bach Hour, the power of water and its spiritual dimensions are at the heart of Bach's Cantata No. 7, led by John Eliot Gardiner, and harpist Catrin Finch performs the composer's Italian Concerto.
Chailly's New Way for Bach
On The Bach Hour, Riccardo Chailly and the Leipzig Gewandhaus Orchestra channel the best of modern and historically informed performance ideas into the composer's Brandenburg Concerto No. 6.
A Musical Alchemy for Bach, from Meyer, Ma, and Thile
On The Bach Hour, bassist Edgar Meyer, cellist Yo-Yo Ma, and mandolinist Chris Thile bring their distinctive musical voices to a Trio by Bach.
An All-Rachmaninoff Opening Night at Tanglewood!
Andris Nelsons and the Boston Symphony kick off the 2025 Tanglewood season in an All-Rachmaninoff program including his Symphonic Dances.
An All-Beethoven Concert at Tanglewood with Bronfman and Nelsons
Andris Nelsons leads the BSO in an All-Beethoven program featuring pianist Yefim Bronfman.
Bach's Music for Lute, Transformed
On The Bach Hour, the composer's music for an ancient instrument is filtered through a modern sonic prism by guitarist Stephan Schmidt, and Christophe Coin leads the Cantata No. 115.
The Sun and Shield of Bach's Cantata 79
On The Bach Hour, Ton Koopman conducts music that reflects both the inspiration and defiance of the composer's community, and the American Bach Soloists perform the Brandenburg Concerto No. 1.
The Divine Friendship of Bach's Cantata 139
On The Bach Hour, Masaaki Suzuki leads music rooted in a warm and inviting divine presence, and Seiji Ozawa conducts the Boston Symphony in an extroverted orchestration of the composer's "St. Anne" Prelude and Fugue.
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