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  • The Boston Symphony Orchestra welcomes back pianist Mitsuko Uchida for Beethoven’s Piano Concerto No. 4, and Andris Nelsons conducts Shostakovich’s Symphony No. 15 in the second concert of the BSO's "Decoding Shostakovich" series.
  • Augustin Hadelich is the soloist in Prokofiev’s Violin Concerto No. 2 on a program including Dvořák’s Symphony No. 7 and Sarah Kirkland Snider’s "Forward Into Light", a meditation on “perseverance, bravery, and alliance.”
  • On The Bach Hour, the Principal Oboist of the Berlin Philharmonic explores the expressive terrain of the composer's cantatas, transformed into a concerto.
  • On The Bach Hour, Bach Collegium Japan performs the composer's "Trauerode," written to mourn the passing of a royal princess who embodied the values and hopes of her time.
  • In an encore broadcast, BSO Assistant Conductor Samy Rachid leads the orchestra for the first time in an all-Russian program that includes Prokofiev’s First Violin Concerto, with soloist Midori, and the blazing Symphony No. 5 by Tchaikovsky.
  • On The Bach Hour, David Fray is the pianist in the composer's Partita No. 4, a piece that reflects the multiple roles Bach fulfilled on a daily basis.
  • On The Bach Hour, the warmth and intimacy of the late Brazilian pianist's artistry illuminate the English Suite No. 3.
  • In an encore broadcast, conductor James Gaffigan makes his Boston Symphony debut in a program that includes arias from Mozart’s “Idomeneo” and “The Marriage of Figaro” and Mahler’s Symphony No. 4, with soprano Elena Villalón, as well as Anna Clyne’s “Sound and Fury."
  • In an encore broadcast of her Boston Symphony Orchestra debut, conductor Elim Chan leads a pair of powerhouse works in Tchaikovsky’s Symphony No. 2 and Brahms’s Piano Concerto No. 2, with soloist Igor Levit.
  • The BSO Assistant Conductor conducts the Boston Symphony Orchestra in an encore broadcast featuring a modern work by American composer Ellen Reid and Sibelius’s Symphony No. 7, and pianist Alexandre Kantorow makes his BSO debut as the soloist in Tchaikovsky’s Piano Concerto No. 2.
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