Masaaki Suzuki

On The Bach Hour, Bach Collegium Japan performs the composer's "Trauerode," written to mourn the passing of a royal princess who embodied the values and hopes of her time.

On The Bach Hour, Masaaki Suzuki leads music of excitement and meditation for the season, and the Academy for Ancient Music Berlin performs the Orchestral Suite No. 2.

On WCRB In Concert with the Handel and Haydn Society, frequent guest conductor Masaaki Suzuki returns to Symphony Hall to lead five soloists and the H+H Orchestra and Chorus in Bach's choral masterpiece, performed with period instruments.

On The Bach Hour, the renowned cellist places the composer's music at the center of a world-wide effort to build local communities and confront their unique challenges.

On The Bach Hour, Masaaki Suzuki conducts a joyfully expressive cantata written for the dedication of a pipe organ in a small German village, and William Porter performs on that very instrument.

The conductor and organist brings Bach's fascination with Italian music to life in works inspired by Vivaldi and Pergolesi on The Bach Hour.

In his Cantata No. 156, the composer infuses a particular sequence with the meaning of words of devotion to create a sonic symbol, part of a performance directed by Masaaki Suzuki on The Bach Hour.

On The Bach Hour, the Dutch violinist performs Bach's music with her father, Jan Jansen, and Masaaki Suzuki leads Bach Collegium Japan through the kinetic, quicksilver energy of the Cantata No. 26.

On The Bach Hour, a masterpiece, ignored when it was new, reveals a revolutionary spirit in a vivid performance by harpsichordist John Butt and the Dunedin Consort in Scotland.

On The Bach Hour, Masaaki Suzuki leads Bach Collegium Japan in the cantata that includes "Jesu, Joy of Man's Desiring," and Lucas and Arthur Jussen are the soloists in an exuberant work for two pianos.