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On The Bach Hour, John Eliot Gardiner conducts an artistically riveting work with roots in the cultural fears and biases of the composer's time and place.
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On The Bach Hour, the Italian-born, U.S.-based pianist performs rich, deeply textured arrangements of works Bach originally wrote for single string instruments, created a century ago by the legendary Leopold Godowsky.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Soloists and English Baroque Soloists in the composer's reflection on the Archangel's confrontation with the Dragon.
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On The Bach Hour, organist Olivier Latry harnesses the astonishing sonic resources of a remarkable instrument for the composer's music, and John Eliot Gardiner leads the Cantata No. 185.
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The Academy for Ancient Music Berlin illuminates a magical fusion of two iconic composers, and John Eliot Gardiner conducts the "Actus Tragicus" on The Bach Hour.
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When Martin Luther set out to change the world, in his toolkit was a song to get his point across, one that became the foundation of Bach's Cantata No. 80, this week on The Bach Hour.
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On the program:Bourree from Cello Suite No. 3 in C, BWV 1009 (arr. Leopold Godowsky) - Alessio Bax, pianoCantata, BWV 3 Ach Gott, wie manches Herzeleid…
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On the program:Duetto in A minor, BWV 805 - Rafał Blechacz, pianoCantata BWV 88, Siehe, ich will viel Fischer aussenden (translation) - Joanne Lunn,…
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On the program:Prelude and Fugue in E minor, BWV 548, "The Wedge" (trans. Feinberg) - Martin Roscoe, pianoCantata BWV 129 Gelobet sei der Herr, mein Gott…