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On WCRB with the Boston Early Music Festival, sopranos Amanda Forsythe, Teresa Wakim and Danielle Reutter-Harrah, and bass-baritone Douglas Williams anchor the casts of rarely heard dramatic cantatas by a brilliant composer and colorful character of the 17th century, Alessandro Stradella.

In an encore broadcast, BSO Assistant Conductor Earl Lee conducts Unsuk Chin’s powerful tribute to Beethoven, "subito con forza," and Robert Schumann’s Symphony No. 2, as well as Mozart’s brooding Piano Concerto No. 20, with soloist Eric Lu in his Boston Symphony debut.

On WCRB In Concert from GBH Music, Boston Baroque's X-tet collaborates with the Rasa Quartet in a program that ranges from Handel and Boccherini to reels and jigs from the Celtic nations, all in GBH's Fraser Performance Studio.

The American violinist returns to the Boston Symphony as the soloist in Beethoven’s Violin Concerto, and Alan Gilbert conducts the world premiere of a work by Bernard Rands and Debussy’s "La Mer."

Andris Nelsons leads the Boston Symphony Orchestra in three works by German composer Richard Strauss, culminating with the nostalgically rich "Symphonia domestica."

On WCRB In Concert with Phoenix, the Boston-based chamber orchestra welcomes Music Director Joshua Weilerstein in a program of works by Bartók, Golijov, Beethoven, and much more.

On WCRB In Concert with the Handel and Haydn Society, Rinaldo Alessandrini leads a hopeful program including Bononcini's "Stabat Mater" and Bach’s "Easter Oratorio."

On WCRB In Concert with The Gilmore, pianist Alexandre Kantorow performs music by Brahms, Schubert songs arranged by Liszt, and one of Bach's most emotionally powerful works.

On WCRB In Concert, Joshua Weilerstein leads the Phoenix Orchestra in Beethoven's Seventh Symphony in Boston, Mistral performs Wagner in Brookline, Piers Lane plays Chopin in Rockport, and the Pacifica Quartet plays Prokofiev in Concord.

On The Bach Hour, the Dutch violinist performs Bach's music with her father, Jan Jansen, and Masaaki Suzuki leads Bach Collegium Japan through the kinetic, quicksilver energy of the Cantata No. 26.