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On The Bach Hour, the Iranian-born pianist performs Bach's Keyboard Concerto No. 3, and Masaaki Suzuki conducts the Cantata No. 69a.

On The Bach Hour, the English pastoral tradition of Vaughan Williams, Walton, Bax, and others meets Bach's music through the interpretations of pianist Jonathan Plowright, and Ton Koopman leads the Cantata 116.

BSO Assistant Conductor Anna Handler makes her Tanglewood and BSO debuts conducting Brahms’s Tragic Overture, Schumann’s Symphony No. 4, and Tchaikovsky’s Violin Concerto with GRAMMY-winning violinist Augustin Hadelich.

In an encore broadcast, conductor Nathalie Stutzmann makes her Boston Symphony Orchestra conducting debut in a program that includes Beethoven’s Violin Concerto with soloist Veronika Eberle, Ravel’s "Alborada del gracioso," and Stravinsky’s suite from "The Firebird."

BSO Assistant Conductor Rachid leads an exciting program featuring the American premiere of Camille Pépin’s Un Monde nouveau, Mendelssohn’s Scottish Symphony, and Saint-Saëns’s Cello Concerto No. 1, with soloist Yo-Yo Ma.

On The Bach Hour, a masterpiece, ignored when it was new, reveals a revolutionary spirit in a vivid performance by harpsichordist John Butt and the Dunedin Consort in Scotland.

In a performance at the Gewandhaus in Leipzig, Germany, Iranian-born pianist Ramin Bahrami is the soloist in Bach's emotionally probing D minor concerto.

On The Bach Hour, Ton Koopman leads Amsterdam Baroque in a work that broke new ground for the composer, expressing a path from “anxious conscience” to an embrace of self-assurance.

On The Bach Hour, destruction on a Biblical scale is the foundation of music that grapples with mysteries and uncertainties as relevant today as in the composer's time.

In an encore broadcast, Jan Lisiecki is the soloist in Mozart’s mysterious and stormy Piano Concerto No. 20, and conductor Philippe Jordan leads the BSO in Tchaikovsky’s emotionally harrowing Symphony No. 6, “Pathétique.”