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  • On WCRB In Concert with the Boston Festival Orchestra, the BFO launches their fifth anniversary Summer Stage season with Beethoven’s Symphony No. 5, Dorothy Chang’s "Skizzen," and Artistic Director Alyssa Wang's violin concerto "Swept Away."
  • The latest tiny concert from Joyce DiDonato, David Lang's Fidelio update, and Sheku Kanneh-Mason's chart-topping new album. Plus, how much do musicians…
  • The end (of the year) may be nigh, but we've got just the right tunes for dancing, reflection and "scream-singing" 'til the ball drops.
  • This encore broadcast celebrates the BSO's rich recording discography, centered on Johannes Brahms's Symphony No. 2 and Dmitri Shostakovich's Symphony No. 1 with Music Director Andris Nelsons, plus works by Thomas Adès and Ferruccio Busoni.
  • Dutch duo-pianists Lucas and Arthur Jussen perform a BSO-commissioned piece written for them by American composer Andrew Norman, and Susanna Mälkki leads the BSO in Rachmaninoff’s "Symphonic Dances" and Ravel’s "Mother Goose" suite.
  • On WCRB In Concert with GBH Music, celebrate the season with a festive concert showcasing the radiant spirit of J.S. Bach’s music, performed by Emmanuel Music.
  • On WCRB with the Boston Early Music Festival, sopranos Amanda Forsythe, Teresa Wakim and Danielle Reutter-Harrah, and bass-baritone Douglas Williams anchor the casts of rarely heard dramatic cantatas by a brilliant composer and colorful character of the 17th century, Alessandro Stradella.
  • Herbert Blomstedt, one of the masters of conducting for over seven decades, leads the Boston Symphony Orchestra in symphonies by Schubert and Brahms.
  • On WCRB In Concert with Rockport Music, the Israeli Chamber Project performs vibrant chamber works by Mozart, Martinů, and Clarke, the Aizuri Quartet traverses one of Beethoven's energetic early works, and pianist Piers Lane plays hypnotic Nocturnes by Chopin, all at the beautiful Shalin Liu Performance Center on Cape Ann.
  • The Artistic Director of the Handel and Haydn Society talks with host Brian McCreath about the unique expressions of Bach’s motets and directs one of them, Jesu, meine Freude, on The Bach Hour.
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