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Thomas Rolfs is the soloist in Detlev Glanert’s eclectic and dramatic Trumpet Concerto, and Andris Nelsons conducts the Boston Symphony in works by Gubaidulina and Prokofiev.

Hahn returns to Symphony Hall as the soloist in Brahms’s Violin Concerto, and Andris Nelsons conducts Mozart’s Symphony No. 33 and Anna Thorvaldsdottir’s "Archora," inspired by the primordial energy of her Icelandic homeland.

Music Director Andris Nelsons leads the Boston Symphony in a dazzling program of music by Liszt, Wagner, and Anna Clyne, culminating in Scriabin's depiction of human consciousness, "Prometheus, Poem of Fire," with pianist Yefim Bronfman.

The BSO's next season at Symphony Hall is anchored by Composer Chair Carlos Simon, major undertakings in works by Mahler, Beethoven, and Shostakovich with Music Director Andris Nelsons, and much, much more.

Elder leads the BSO in Ravel's "Mother Goose" and Dvořák's "The Noonday Witch," as well as a new work by Elena Langer featuring cellist Blaise Déjardin and Janáček's spectacular Sinfonietta.

Dima Slobodeniouk leads the BSO, the Tanglewood Festival Chorus, and soprano Georgia Jarman, with actors from Concert Theatre Works, in a dramatic production of Henrik Ibsen's epic play "Peer Gynt," with music by Edvard Grieg.

In this encore broadcast, Andris Nelsons leads the Boston Symphony Orchestra, the Tanglewood Festival Chorus, and a stellar lineup of soloists in highlights from Richard Wagner’s Tannhäuser.

The Boston Symphony's Resident Fellowship Program for Early Career Musicians answers the call of change for American orchestras, and its first participants describe their experiences.

Karina Canellakis leads the Boston Symphony Orchestra in Bartók’s chilling opera "Bluebeard’s Castle," with mezzo-soprano Karen Cargill and bass-baritone Nathan Berg.

Musicians of the Boston Symphony Orchestra introduce their own most memorable recordings with former BSO Music Director Seiji Ozawa.