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On The Bach Hour, the renowned cellist places the composer's music at the center of a world-wide effort to build local communities and confront their unique challenges.
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On The Bach Hour, the Prague-based harpsichordist reveals the astonishing creative force embedded in Bach's Toccatas, and Ton Koopman directs the Cantata 187.
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On The Bach Hour, the renowned harpsichordist and conductor draws on decades of interpretive experience to conduct Bach's Partita No. 5, re-imagined for chamber orchestra.
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On The Bach Hour, an artist of uncommon insight interprets - and talks about - one of Bach's most imposing compositions, and Martin Pearlman leads Boston Baroque in Magnificat.
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On The Bach Hour, the Chopin Competition winner reveals passion, drama, and crystalline spark in a solo piano work, and Rudolf Lutz conducts a work infused with hope and joy, Cantata No. 30.
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On The Bach Hour, Shaham's decades of experience - both musical and otherwise - inform a rich interpretation of Bach's solo violin works, illuminated through both performance and conversation.
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On The Bach Hour, Philippe Pierlot leads Collegium Vocale Gent and the Ricercar Consort in music that begins in the wonder of the cosmos and ends in quiet, individual commitment.
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On The Bach Hour, one of Boston's cornerstone ensembles performs music that starts in weakness and frailty and becomes a vigorous picture of strength.
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On The Bach Hour, Masaaki Suzuki conducts a joyfully expressive cantata written for the dedication of a pipe organ in a small German village, and William Porter performs on that very instrument.
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On The Bach Hour, the solidity and expression of one hymn tune is the foundation of works for solo violin and pipe organ, as well as the Cantata No. 172, performed by Amsterdam Baroque and director Ton Koopman.