Ton Koopman

On The Bach Hour, Ton Koopman conducts music that reflects both the inspiration and defiance of the composer's community, and the American Bach Soloists perform the Brandenburg Concerto No. 1.

On The Bach Hour, Petra Müllejans and Gottfried von der Goltz are the soloists in the composer's irresistible Concerto for Two Violins, and Ton Koopman conducts the Cantata No. 47.

On The Bach Hour, transcriptions by three different composers come together in one piece for piano, and Ton Koopman conducts the composer's Cantata 97.

On The Bach Hour, the Dutch cellist talks with host Brian McCreath about the composer's suites for solo cello, and Ton Koopman leads Amsterdam Baroque in the Cantata No. 140, "Wachet auf."

On The Bach Hour, the Prague-based harpsichordist reveals the astonishing creative force embedded in Bach's Toccatas, and Ton Koopman directs the Cantata 187.

On The Bach Hour, the solidity and expression of one hymn tune is the foundation of works for solo violin and pipe organ, as well as the Cantata No. 172, performed by Amsterdam Baroque and director Ton Koopman.

On The Bach Hour, when a king throws a vexing musical challenge at the composer, it sparks a dazzling response in "The Musical Offering," and an equally dazzling interpretation by Jordi Savall and The Concert of Nations.

On The Bach Hour, the English pastoral tradition of Vaughan Williams, Walton, Bax, and others meets Bach's music through the interpretations of pianist Jonathan Plowright, and Ton Koopman leads the Cantata 116.

On The Bach Hour, destruction on a Biblical scale is the foundation of music that grapples with mysteries and uncertainties as relevant today as in the composer's time.

On The Bach Hour, the warmth and intimacy of the late Brazilian pianist's artistry illuminate the English Suite No. 3.