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Available on demand: On WCRB In Concert with the Boston Chamber Music Society, clarinetist Romie de Guise-Langlois is the soloist in Hummel's venerable Clarinet Quartet and Pierre Jalbert's recent meditation on the sacred and the secular, "Street Antiphons," in a program that also includes Brahms's Piano Quartet No. 2.

In an encore broadcast from the 2023 Tanglewood season, Andris Nelsons leads the BSO in Wynton Marsalis's "Herald, Holler, and Hallelujah," Tchaikovsky's Symphony No. 4, and pianist Daniil Trifonov joins for Prokofiev's Piano Concerto No. 3.

Andris Nelsons leads the BSO, pianist Yuja Wang, and ondes Martenot player Cécile Lartigau in Olivier Messiaen's wildly kaleidoscopic expression of love, nature, and spirituality, "Turangalîla-symphonie."

On WCRB In Concert with the Boston Pops, trumpeter Byron Stripling explores a kaleidoscope of legendary jazz voices, from Louis Armstrong to Dizzy Gillespie and Miles Davis.

On WCRB In Concert with the Boston Chamber Music Society, an ode to the historic Massachusetts town, Daniel Godfrey’s "Ad Concordiam," is bookended by Beethoven and Brahms.

On WCRB in Concert with the Celebrity Series of Boston, the Danish String Quartet shares folk tunes from their native Denmark and Norway, as well as string quartets by Haydn and Shostakovich and three divertimenti by Britten.

On The Bach Hour, organist Olivier Latry harnesses the astonishing sonic resources of a remarkable instrument for the composer's music, and John Eliot Gardiner leads the Cantata No. 185.

On The Bach Hour, the renowned harpsichordist and conductor draws on decades of interpretive experience to conduct Bach's Partita No. 5, re-imagined for chamber orchestra.

On The Bach Hour, a simple tune is continually transformed, creating the foundations of multiple themes in the composer's Cantata No. 93, conducted by Ton Koopman.

On The Bach Hour, Richard Egarr leads the Academy of Ancient Music in a vibrant account of one of Bach's most iconic works, and Boston's Emmanuel Music traverses the earthly and the divine in the composer's Cantata No. 2.