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  • In an encore broadcast, Christina and Michelle Naughton are the soloists in Poulenc’s firecracker Concerto for Two Pianos, and Earl Lee leads the Boston Symphony Orchestra in Mendelssohn’s “Scottish” Symphony and “Pulse,” by Brian Raphael Nabors.
  • On The Bach Hour, an artist of uncommon insight interprets - and talks about - one of Bach's most imposing compositions, and Martin Pearlman leads Boston Baroque in Magnificat.
  • On The Bach Hour, the Chopin Competition winner reveals passion, drama, and crystalline spark in a solo piano work, and Rudolf Lutz conducts a work infused with hope and joy, Cantata No. 30.
  • On The Bach Hour, the renowned cellist places the composer's music at the center of a world-wide effort to build local communities and confront their unique challenges.
  • Now available on demand, Andris Nelsons leads the Tanglewood Music Center Orchestra in Richard Strauss’s "Also sprach Zarathustra" and Charles Ives’s "Three Places in New England," as well as Beethoven’s "Piano Concerto No. 3," with soloist Emanuel Ax.
  • In an encore broadcast, Kazuki Yamada conducts the BSO in Berlioz's "Symphonie Fantastique," and the Jussen brothers join as soloists for Felix Mendelssohn's Concerto in E for two pianos and orchestra.
  • Now available on demand, Conrad Tao is the soloist in Leonard Bernstein’s Symphony No. 2, "The Age of Anxiety", and Dima Slobodeniouk leads the BSO in the Symphony No. 3 by Brahms.
  • Now available on demand, Andris Nelsons leads the BSO and an all-star cast, featuring soprano Christine Goerke and tenor Michael Weinius, in the epic conclusion of Wagner’s The Ring of the Nibelung, Act III of Götterdämmerung.
  • Andris Nelsons conducts the Boston Symphony in Beethoven’s Fourth Piano Concerto, starring powerhouse pianist Yuja Wang, as well as two pieces by Duke Ellington and Carlos Simon’s “Warmth from Other Suns.”
  • On The Bach Hour, Rudolf Lutz conducts the composer's Cantata 168, in which fearsome metaphors from the natural world are answered by allusions to eternity.
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