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In an encore broadcast, conductor Nathalie Stutzmann makes her Boston Symphony Orchestra conducting debut in a program that includes Beethoven’s Violin Concerto with soloist Veronika Eberle, Ravel’s "Alborada del gracioso," and Stravinsky’s suite from "The Firebird."

On The Bach Hour, the late, legendary pianist brings years of personal and artistic insight to an arrangement of one of Bach's most emotionally challenging works.

BSO Assistant Conductor Rachid leads an exciting program featuring the American premiere of Camille Pépin’s Un Monde nouveau, Mendelssohn’s Scottish Symphony, and Saint-Saëns’s Cello Concerto No. 1, with soloist Yo-Yo Ma.

On The Bach Hour, a masterpiece, ignored when it was new, reveals a revolutionary spirit in a vivid performance by harpsichordist John Butt and the Dunedin Consort in Scotland.

In a performance at the Gewandhaus in Leipzig, Germany, Iranian-born pianist Ramin Bahrami is the soloist in Bach's emotionally probing D minor concerto.

On The Bach Hour, Ton Koopman leads Amsterdam Baroque in a work that broke new ground for the composer, expressing a path from “anxious conscience” to an embrace of self-assurance.

On The Bach Hour, destruction on a Biblical scale is the foundation of music that grapples with mysteries and uncertainties as relevant today as in the composer's time.

In an encore broadcast, Jan Lisiecki is the soloist in Mozart’s mysterious and stormy Piano Concerto No. 20, and conductor Philippe Jordan leads the BSO in Tchaikovsky’s emotionally harrowing Symphony No. 6, “Pathétique.”

Dima Slobodeniouk returns to Tanglewood to conduct Caroline Shaw’s "Entr’acte" and Tchaikovsky’s Variations on a Rococo Theme, featuring cello soloist Jean-Guihen Queyras in his BSO debut. The concert closes with Beethoven’s Symphony No. 4 and its joyful fourth movement.

On The Bach Hour, Yoav Talmi leads the Quebec Symphony Orchestra in Walton's imaginative vision for a ballet based on Bach's music, and Thomas Quasthoff sings the heart-wrenching Cantata No. 56.