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Dima Slobodeniouk leads the Boston Symphony Orchestra and Tanglewood Festival Chorus in John Adams’s “Harmonium” and, with four stellar soloists, Beethoven’s Ninth Symphony and its “Ode to Joy.”

Dutch duo-pianists Lucas and Arthur Jussen perform a BSO-commissioned piece written for them by American composer Andrew Norman, and Susanna Mälkki leads the BSO in Rachmaninoff’s Symphonic Dances and Ravel’s Mother Goose suite.

Pianist Yunchan Lim reunites with the Boston Symphony Orchestra and Music Director Andris Nelsons in Robert Schumann’s sweepingly dramatic Piano Concerto, followed by Tchaikovsky’s “Manfred” Symphony.

In his first appearance with the Boston Symphony Orchestra since 2015, pianist Evgeny Kissin plays piano concertos by Scriabin and Mozart, and Andrey Boreyko conducts works by Rimsky-Korsakov and Liadov.

Andris Nelsons and the Boston Symphony Orchestra welcome rising star Mao Fujita as the soloist in Mozart’s Piano Concerto No. 21, part of a program that also includes the U.S. premiere of Outi Tarkiainen’s “Day Night Day” and Sibelius’s rarely heard Symphony No. 1.

On The Bach Hour, Icelandic pianist Víkingur Ólafsson brings a spirit of collaborative creation to the composer's Aria and Variations in the Italian Manner, and Christoph Spering leads the Cantata No. 14.

On The Bach Hour, the Argentine mezzo-soprano is the soloist in music that opens a window to the composer's craft and life, with the Freiburg Baroque Orchestra.

On The Bach Hour, the fifth of the composer's six-part narrative for the season reveals a fearsome terror and the calm radiance that counters that threat.

On The Bach Hour, the simple act of naming unlocks a transformation in the fourth of the composer's six-part narrative for the season.

On The Bach Hour, in the final chapter of the composer's narrative for the season, a clever deception heads off a potential disaster, laying the groundwork for a promising future.