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Nodoka Okisawa, a protégée of former BSO Music Director Seiji Ozawa, makes her Boston Symphony Orchestra debut with Takemitsu’s “Requiem for strings,” as well as Dvořák’s Seventh Symphony and Violin Concerto with soloist Midori.

In an encore broadcast, the Boston Symphony Orchestra and violinist Frank Peter Zimmermann perform Elgar, and Dima Slobodeniouk returns to conduct Hailstork and Stravinsky.

In an encore broadcast, Giancarlo Guerrero conducts Gabriela Ortiz’s "Revolución diamantina," and the Boston Symphony Orchestra performs Tchaikovsky's tumultuous "Francesca da Rimini."

In a conversation with host Brian McCreath on The Bach Hour, Hahn describes the endless creative possibilities in the composer's music for solo violin and plays the Sonata No. 2.

On The Bach Hour, conductor Rinaldo Alessandrini leads his Italian ensemble in unique re-imaginings of Bach's music, and Konrad Junghänel conducts the Missa Brevis in F.

Music Director Andris Nelsons shares a program with conductors Ross Jamie Collins and Na’Zir McFadden featuring works by Sibelius and Grieg, with piano soloist Benjamin Grosvenor.

On WCRB In Concert with Boston Baroque, Haydn's breathtaking "The Creation" is brought to life by soloists Hera Hyesang Park, Paul Appleby, and Nicholas Newton, all making their Boston Baroque debuts.

BSO Assistant Conductor Anna Handler leads the orchestra in Mozart’s Sinfonia concertante, with Concertmaster Nathan Cole and Principal Viola Steven Ansell as soloists, as well as Gabriella Smith’s "Bioluminescence Chaconne" and Tchaikovsky's Suite from "Swan Lake."

Salonen leads the Boston Symphony in his own Horn Concerto, with soloist Stefan Dohr, a piece inspired by Bruckner’s soaring Symphony No. 4, the “Romantic” Symphony.

Nonagenarian Swedish conductor Herbert Blomstedt returns to Symphony Hall to lead an All-Brahms program, including "Nänie" and "Schicksalslied (Song of Destiny)" with the Tanglewood Festival Chorus, and his Fourth Symphony.