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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's Cantata 182, and Pieter Wispelwey performs the Suite No. 5 for solo cello.
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On The Bach Hour, John Eliot Gardiner conducts an artistically riveting work with roots in the cultural fears and biases of the composer's time and place.
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On The Bach Hour, the Italian-born, U.S.-based pianist performs rich, deeply textured arrangements of works Bach originally wrote for single string instruments, created a century ago by the legendary Leopold Godowsky.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the Cantata 190, "Sing to the Lord a New Song," written for New Year's Day.
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On The Bach Hour, Gerhard Weinberger performs the composer's Canonic Variations on "Vom Himmel hoch" on an instrument Bach himself tested when it was new.
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On The Bach Hour, Kristian Bezuidenhout is the harpsichordist in one of the masterpieces of the instrument, recorded in concert at the Boston Early Music Festival.
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On The Bach Hour, the Hilliard Ensemble and soloist Christoph Poppen bring the composer's Violin Partita No. 2 together with his settings of Lutheran chorales to render a sonic picture of anguish, grief, and transcendence.
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The mandolin virtuoso talks with host Brian McCreath about the rich musical environment of his childhood, what led him to the mandolin, and the role Bach's music plays in his artistic life.
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On The Bach Hour, organist Olivier Latry harnesses the astonishing sonic resources of a remarkable instrument for the composer's music, and John Eliot Gardiner leads the Cantata No. 185.
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On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's musical confrontation with the capriciousness of life.