John Eliot Gardiner

On The Bach Hour, the Italian-born, U.S.-based pianist performs rich, deeply textured arrangements of works Bach originally wrote for single string instruments, created a century ago by the legendary Leopold Godowsky.

On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the Cantata 190, "Sing to the Lord a New Song," written for New Year's Day.

On The Bach Hour, Gerhard Weinberger performs the composer's Canonic Variations on "Vom Himmel hoch" on an instrument Bach himself tested when it was new.

On The Bach Hour, the composer harnesses the mellow lyricism, the astonishing power, and even the historical roots of the horn in his Cantata 52, and horn soloist Radek Baborák brings the instrument's dynamism to a concerto originally for harpsichord.

On The Bach Hour, Kristian Bezuidenhout is the harpsichordist in one of the masterpieces of the instrument, recorded in concert at the Boston Early Music Festival.

On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in the composer's musical confrontation with the capriciousness of life.

The Academy for Ancient Music Berlin illuminates a magical fusion of works by two iconic composers, and John Eliot Gardiner conducts the "Actus Tragicus" on The Bach Hour.

On The Bach Hour, Canadian Brass applies their burnished brilliance to the composer's "Goldberg Variations," and John Eliot Gardiner leads the Monteverdi Choir in "Jesu, Meine Freude."

On The Bach Hour, the Academy for Ancient Music Berlin brings vibrant textures and colors to the composer's ultimate musical statement in counterpoint, and John Eliot Gardiner conducts the Cantata No. 181, confronting "light-minded, frivolous spirits."

On The Bach Hour, John Eliot Gardiner leads the Monteverdi Choir and English Baroque Soloists in music that grapples with the challenges of everyday life, and Pieter-Jan Belder leads the exuberant Brandenburg Concerto No. 3.