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Tanglewood

CRB brings you performances at Tanglewood, with host Brian McCreath, on Fridays and Saturdays at 8pm and Sundays at 7pm. For on demand concerts and a full broadcast schedule, please visit classical.org/tanglewood.

Upcoming Broadcasts
  • Sir Mark Elder stands against a dark gray background. He wears a navy, pinstripe suit, and he looks at the camera out of the corners of his eyes. There is an air of mystery about him. Blaise Déjardin poses with his arm around the neck of his cello wearing a concert black. He faces the camera head on and smiles.
    Fairy Tales both Magical and Fearsome with the BSO, Elder, and Déjardin
    Saturday, December 14th, 2024 at 8:00pm, in an encore broadcast, Elder leads the BSO in Ravel's "Mother Goose" and Dvořák's "The Noonday Witch," as well as a new work by Elena Langer featuring cellist Blaise Déjardin and Janáček's spectacular Sinfonietta.
  • Close up view of a nutcracker doll
    The Boston Symphony and Tchaikovsky's "The Nutcracker"
    Saturday December 21st, 2024 at 8:00pm, in an encore broadcast, Seiji Ozawa leads the BSO in a magical ballet score for the season that expresses the innocence of childhood and the drama of transformation, sprinkled with musical delights and passion.
  • A collage of Domingo Hindoyan and Pablo Ferrández. Hindoyan (left) stands outside on a busy street wearing a black jacket and black v-neck. He has wavy black hair and stubble. He squints in the sun and smiles at the camera. Ferrández (right) stands against a gold background in a black turtleneck. There is a red projection on him in the shape of a cello. He looks at the camera and poses in a thinking position with his chin resting on his fingers. He has short black hair and a beard.
    The BSO Debuts of Ferrández and Hindoyan
    Saturday, December 28th, 2024 at 8:00pm, in an encore broadcast, Venezuelan conductor Domingo Hindoyan makes his BSO debut leading the American premiere of Roberto Sierra's Symphony No. 6, and Spanish cellist Pablo Ferrández makes his BSO debut in Edward Elgar’s regal and impassioned Cello Concerto.
  • Renée Fleming smiles and stands against a golden background in profile. She's wearing a coat that mimics the one in Gustav Klimt's "The Kiss." Rod Gilfry stands outside in front of an ivy covered wall. He stands behind a lavender bush in a white button up and looks pensively off camera.
    Fleming and Gilfry in “The Brightness of Light,” with the BSO
    Saturday, January 4th, 2024 at 8:00pm, Andris Nelsons leads the Boston Symphony in “The Brightness of Light,” by Kevin Puts, with soprano Renée Fleming and baritone Rod Gilfry, as well as two works by Mozart.
  • A close-up on the ornate, golden proscenium of Symphony Hall. The name "Beethoven" is in the keynote position, surrounded by flourishes of cornucopias and leaves as well as the numbers 1, 2, and 3, printed in an art-nouveau font.
    Beethoven’s Revolutionary Early Symphonies Nos. 1, 2, & 3
    Saturday, January 11th, 2025 at 8:00pm, Andris Nelsons leads the Boston Symphony Orchestra in the first part of an epic journey through all nine of Beethoven’s symphonies, including the transformative Eroica.
  • A close-up on the ornate, golden proscenium of Symphony Hall. The name "Beethoven" is in the keynote position, surrounded by flourishes of cornucopias and leaves as well as the numbers 4 and 5, printed in an art-nouveau font.
    The BSO and Two Sides of Beethoven
    Friday, January 17th, 2025 at 8:00pm, in a special Friday night broadcast of the Boston Symphony Orchestra, Andris Nelsons conducts Beethoven’s lyric and joyful Symphony No. 4 and the mighty Symphony No. 5.
  • A close-up on the ornate, golden proscenium of Symphony Hall. The name "Beethoven" is in the keynote position, surrounded by flourishes of cornucopias and leaves as well as the numbers 6 and 7, printed in an art-nouveau font.
    Nelsons, the BSO, and Beethoven’s Symphonies Nos. 6 and 7
    Saturday, January 18th, 2025 at 8:00pm, the Boston Symphony’s Beethoven journey reaches the Symphony No. 6, the Pastoral Symphony, and the rhythmically charged Symphony No. 7.
  • A close-up on the ornate, golden proscenium of Symphony Hall. The name "Beethoven" is in the keynote position, surrounded by flourishes of cornucopias and leaves as well as the numbers 8 and 9, printed in an art-nouveau font.
    Nelsons, the BSO, and Beethoven’s “Ode to Joy”
    Saturday, January 25th, 2025 at 8:00pm, the Boston Symphony’s Beethoven cycle, led by Music Director Andris Nelsons, culminates with the playful Symphony No. 8 and the Symphony No. 9, featuring the Tanglewood Festival Chorus and a stellar cast of soloists in its iconic final movement, the “Ode to Joy.”
  • Clockwise from top left: Andrzej Filończyk, Elisa Sunshine, Neal Ferreira, Karen Cargill, Joshua Sanders, Terrence Chin-Loy, Christine Goerke, Brandon Jovanovich
    Nelsons, the BSO, and Korngold’s “Die tote Stadt”
    Saturday, February 1st, 2025 at 8:00pm, Andris Nelsons leads the Boston Symphony Orchestra and a cast headlined by Christine Goerke and Brandon Jovanovich in Erich Korngold’s opera “Die tote Stadt” (“The Dead City”), a longing farewell to the Romantic Era.
  • Nathalie Stutzmann wears an orange leather jacket and shimmering, multicolored earrings. She has a curly brown bob and light brown eyes. She leans forward and folds her hands around her baton. Veronika Eberle wears a checkered halter dress and dark red lipstick. Her long brown hair is pulled over one shoulder and she has blue eyes. She looks to the left of frame, holding her violin in front of her.
    Stutzmann Conducts Stravinksy’s "The Firebird"
    Saturday, February 8th, 2025 at 8:00pm, conductor Nathalie Stutzmann makes her Boston Symphony Orchestra debut in a program that includes Beethoven’s Violin Concerto with soloist Veronika Eberle, Ravel’s "Alborada del gracioso," and Stravinsky’s suite from "The Firebird."
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