Interviews

A collage of eight artists of all different ages, genders, races, and voice types.

Nelsons, the BSO, and Mahler’s “Symphony of a Thousand”

The Boston Symphony Orchestra, a collection of stellar soloists, and the Tanglewood Festival Chorus joined by the Boys of the St. Paul’s Choir School perform Mahler’s spiritually optimistic Eighth Symphony.

Eun Sun Kim leans against a white wall in a black suit jacket. She has long, dark brown hair and brown eyes. She looks at the camera and smiles softly. Inon Barnatan poses in front of a bright yellow wall. He wears a leather jacket and has hazel eyes. He leans forward and looks at the camera, smiling softly.

Rachmaninoff and Bartók with Eun Sun Kim and Inon Barnatan

Star pianist Inon Barnatan returns to Symphony Hall to take on one of Bartók’s final works, and Eun Sun Kim makes her BSO debut.

Isabelle Faust has short blonde hair and hazel eyes. She holds her violin up close to her face and smizes at the camera. Alan Gilbert wears a blue pinstripe blazer, a black shirt, and round glasses. He has salt and pepper hair and a beard. He smiles softly at the camera.

Isabelle Faust and Alan Gilbert join the BSO for Haydn and Stravinsky

Violinist Isabelle Faust is the soloist in Stravinsky’s Violin Concerto and Alan Gilbert conducts two Haydn Symphonies.

Herbert Blomstedt wears a striped button shirt and a red sweater. He has white hair and frameless glasses. He stands outside and looks at the camera, smiling softly.

Blomstedt Conducts the BSO

Herbert Blomstedt, one of the masters of conducting for over seven decades, leads the Boston Symphony Orchestra in symphonies by Schubert and Brahms.

A display of the three artists in beiges and pinks. Benjamin Grosvenor sits outside in a dark coat, leaning forward and looking up at the camera. Ross Jamie Collins straightens the collar of his white button down and smiles, looking off to the right of frame. Na'Zir McFadden poses in front of a beige backdrop in a turtleneck and suit jacket, holding his baton. He smiles widely and looks off to the right of frame.

The Boston Symphony and Music of Scandinavia

Music Director Andris Nelsons shares a program with conductors Ross Jamie Collins and Na’Zir McFadden featuring works by Sibelius and Grieg, with piano soloist Benjamin Grosvenor.

Sir Antonio Pappano wears a dark suit and a burgundy scarf. He balances his baton between his hands, perching it horizontally between his two pointer fingers. He stares down the camera with his brown eyes, not smiling. Jean-Yves Thibaudet wears a dark suit and stands in front of an open grand piano. He looks at the camera with his light blue eyes and smiles softly.

Pappano, Thibaudet, and the BSO

In an encore broadcast, Jean-Yves Thibaudet brings dazzling elegance to Franz Liszt’s Piano Concerto No. 2, and Antonio Pappano conducts two works that ask deep questions of humanity: Richard Strauss’s “Also sprach Zarathustra” and Hannah Kendall’s “O flower of fire.”

Nathalie Stutzmann wears an orange leather jacket and shimmering, multicolored earrings. She has a curly brown bob and light brown eyes. She leans forward and folds her hands around her baton. Veronika Eberle wears a checkered halter dress and dark red lipstick. Her long brown hair is pulled over one shoulder and she has blue eyes. She looks to the left of frame, holding her violin in front of her.

Stutzmann Conducts Stravinsky and Eberle Plays Beethoven

In an encore broadcast, conductor Nathalie Stutzmann makes her Boston Symphony Orchestra conducting debut in a program that includes Beethoven’s Violin Concerto with soloist Veronika Eberle, Ravel’s "Alborada del gracioso," and Stravinsky’s suite from "The Firebird."

Jan Lisiecki looks off to the upper left corner of the frame. He has short, curly brown hair and bright blue eyes. He leans against stone wall, casting a long, blue shadow.

Lisiecki, Jordan, and Tchaikovsky’s “Pathétique”

In an encore broadcast, Jan Lisiecki is the soloist in Mozart’s mysterious and stormy Piano Concerto No. 20, and conductor Philippe Jordan leads the BSO in Tchaikovsky’s emotionally harrowing Symphony No. 6, “Pathétique.”

Samy Rachid wears a navy suit and stands against a black background, smiling at the camera. Olivier Latry wears a white button down and holds a gray suit jacket over one shoulder. He stands outside with trees behind him, and he smiles softly at the camera.

Rachid Conducts Berlioz, Gandolfi, and Saint-Saëns at Symphony Hall

In an encore broadcast, Assistant Conductor Samy Rachid makes his BSO subscription debut conducting Berlioz’s “Waverley” Overture and two pieces for organ and orchestra, featuring Olivier Latry: Michael Gandolfi’s “Ascending Light” and Camille Saint-Saëns’s Third Symphony.

Conductor Xian Zhang, the BSO, and Pianist Jonathan Biss

In an encore broadcast, Zhang makes her Symphony Hall debut leading Chen Yi’s “Landscape Impression” and Mozart’s Symphony No. 39, and Jonathan Biss is the soloist in Robert Schumann’s lyrical and powerful Piano Concerto.