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Marco Borggreve/Boston PopsCelebrating 30 years as the conductor of the Boston Pops, Keith Lockhart tells the stories behind his recordings with the Pops, from tributes to Glenn Miller and Richard Rodgers to the inimitable film scores of John Williams! -
Vanessa Briceño-Scherzer/Courtesy of the ArtistOn The Bach Hour, the Los Angeles-based violinist performs both parts - each on a different Stradivarius instrument - of one of the composer’s most dramatic concertos.
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On the Bach Hour, the unprecedented, world-changing events of the Christmas story are filtered through one central character in the third of the composer's six-part narrative for the season. -
On the Bach Hour, angels bring shepherds through the night to a scene of peaceful warmth in the second of Bach's six-part narrative for the season, in a concert performance led by Nikolaus Harnoncourt. -
On The Bach Hour, the first of the composer's six-part narrative for the season expresses joy, doubt, and wonder in a concert performance led by Nikolaus Harnoncourt. -
On The Bach Hour, the English pastoral tradition of Vaughan Williams, Walton, Bax, and others meets Bach's music through the interpretations of pianist Jonathan Plowright, and Ton Koopman leads the Cantata 116. -
On The Bach Hour, a song by Martin Luther that helped change the world is the foundation of Bach's Cantata No. 80, and the Dunedin Consort performs the Brandenburg Concerto No. 6. -
On The Bach Hour, harmonic solidity and quicksilver brilliance come together in the hands of the German violinist, and Sigiswald Kuijken directs the Cantata No. 180, revealing a pathway from darkness to light. -
On The Bach Hour, Yoav Talmi leads the Quebec Symphony Orchestra in the Walton's imaginative vision for a ballet based on Bach's music, and Thomas Quasthoff sings the heart-wrenching Cantata No. 56. -
On The Bach Hour, the Argentine mezzo-soprano is the soloist in music that opens a window to the composer's craft and life, with the Freiburg Baroque Orchestra. -
On The Bach Hour, the composer's Cantata No. 19, for St. Michael and All Angels, expresses a terrifying, visceral quality of battle, and a hope for protection and safety. -
On The Bach Hour, the Principal Flutist of the Berlin Philharmonic is joined by his colleagues for one of Bach’s most virtuosic creations for his instrument.
