Our April playlist showers us with jazz, post-punk, glam rock, and K-pop, then some fresh classical favorites and old standbys bring it all home.

The words of evolutionary biologist Richard Dawkins and theoretical physicist Richard Feynman introduce a secular twist to the choral mass format in David Shapiro’s Sumptuous Planet Mass, brought to life by the Philadelphia-based choral ensemble The Crossing.

Later this month, Boston Baroque, led by Martin Pearlman, will present Mozart’s incredible "Don Giovanni" in a fully staged production. In anticipation of the performances, General Manager of GBH Music and author of the novel "Imagining Don Giovanni" Anthony Rudel takes a closer look at the opera’s characters and the men who created them.

As the eclipse approaches, many colleagues from all over the country have been wondering what music might be appropriate for this rare natural occurrence, a time when the sun’s glories are blocked from view.

Armed with just her cello, a looping machine and a pair of percussionists, Beiser crafts a rendition of Terry Riley's pioneering In C that is equally mesmerizing and graceful.

When he takes over, in the fall of 2027, he will be the youngest music director in the orchestra's 133-year history.

Venezuelan conductor Domingo Hindoyan makes his BSO debut leading the American premiere of Roberto Sierra's Symphony No. 6, and Spanish cellist Pablo Ferrández makes his BSO debut in Edward Elgar’s regal and impassioned Cello Concerto.

On WCRB In Concert with the Boston Early Music Festival, the Prague-based women's ensemble Tiburtina sings medieval music by Hildegard von Bingen, and Renaissance Italy bursts into musical life through the singing of Amanda Forsythe, Cecilia Duarte, and Dorothee Mields.

The Miami-based orchestra celebrates the artistic explosion emanating from 1920s New York, with music and poetry inspired by the Harlem Renaissance, on demand.