The Boston Symphony Orchestra has announced details of its 2026-2027 season, marked by programs focused on singular composers and themes, a dynamic Artist in Residence, and significant world and U.S. premieres.

Mezzo-soprano Joyce DiDonato and the genre-defying string trio Time for Three talk about their new album "Emily — No Prisoner Be," the joys of working with composer Kevin Puts, and the responsibility of bringing Emily Dickinson to a new generation.

Music for movies, for poetry, and even for puppets. Enjoy the spring blooms in this month's Instant Replay.

On March 15th, a guy woke up, got dressed, and walked into the worst day of his life. In the 2,000 years since, composers have made Julius Caesar a figure of legend.

On The Bach Hour, Matthew Halls leads the Retrospect Ensemble in a work that's at once contemplative and exuberant, and Angela Hewitt plays selections from Book II of the Well-Tempered Clavier.

Andris Nelsons and the Boston Symphony Orchestra welcome rising star Mao Fujita as the soloist in Mozart’s Piano Concerto No. 21, part of a program that also includes the U.S. premiere of Outi Tarkiainen’s “Day Night Day” and Sibelius’s rarely heard Symphony No. 1.

On WCRB In Concert with the Handel and Haydn Society, Jonathan Cohen leads the unmatched H+H Orchestra and soprano Joélle Harvey in three love songs by Handel.

The Simón Bolívar Symphony Orchestra's recording of Ravel's Boléro is up for a Grammy nomination for best orchestral performance. The recognition comes at a turbulent moment for Venezuela, but the orchestra remains focused on the music.

Mezzo-soprano Denyce Graves is retiring from the stage after a last performance as Maria in the Gershwins' Porgy and Bess at the Metropolitan Opera, and looking ahead to directing and mentoring.