Tonight at 8:00pm in an encore broadcast from last summer, conductor Thomas Adés leads the Boston Symphony Orchestra in Jean Sibelius’ Violin Concerto, with Finnish compatriot Pekka Kuusisto, and Sibelius' Symphony No. 5.
All summer long, WCRB is spotlighting American music and the composers who weave the musical fabric of our country.
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An earworm, some hype, a buttery-smooth cover, and more, in April's Instant Replay.
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In its 2026-2027 concert season, the newly rebranded Vivo Performing Arts offers Massachusetts audiences over 80 classical music, jazz, and dance performances, while also presenting innovative and genre-defying acts and introducing new local initiatives in Roxbury and beyond.
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The Boston Symphony Orchestra has announced details of its 2026-2027 season, marked by programs focused on singular composers and themes, a dynamic Artist in Residence, and significant world and U.S. premieres.
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Mezzo-soprano Joyce DiDonato and the genre-defying string trio Time for Three talk about their new album "Emily — No Prisoner Be," the joys of working with composer Kevin Puts, and the responsibility of bringing Emily Dickinson to a new generation.
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In his first appearance with the Boston Symphony Orchestra since 2015, pianist Evgeny Kissin plays piano concertos by Scriabin and Mozart, and Andrey Boreyko conducts works by Rimsky-Korsakov and Liadov.
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GBH Music and Emmanuel Music showcase the radiant spirit of J.S. Bach's music for the season, featuring his Christmas Oratorio.
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Countertenor John Holiday sings a deeply personal program of spirituals, concert music, and his own arrangements, accompanied by pianist Kevin J. Miller, and shares stories from his background in music.
What makes an opera performance great? GBH Music partnered with Boston Lyric Opera, New England Conservatory of Music, and legendary opera singers Patricia Racette, Susan Graham, and Davóne Tines to explore an extraordinary art form.
From NPR Music
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On a new album, the experimental vocal group Roomful of Teeth and songwriter Gabriel Kahane take up residence in a multidimensional hotel with a time-traveling elevator and a quirky clientele.
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The Pulitzer-winning composer, whose unconventional music reflects the rugged landscapes he lives in, talks about his relationship to nature and his new piece Horizon.
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On The Bach Hour, the solidity and expression of one hymn tune is the foundation of works for solo violin and pipe organ, as well as the Cantata No. 172, performed by Amsterdam Baroque and director Ton Koopman.
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