An earworm, some hype, a buttery-smooth cover, and more, in April's Instant Replay.

In its 2026-2027 concert season, the newly rebranded Vivo Performing Arts offers Massachusetts audiences over 80 classical music, jazz, and dance performances, while also presenting innovative and genre-defying acts and introducing new local initiatives in Roxbury and beyond.

The Boston Symphony Orchestra has announced details of its 2026-2027 season, marked by programs focused on singular composers and themes, a dynamic Artist in Residence, and significant world and U.S. premieres.

Mezzo-soprano Joyce DiDonato and the genre-defying string trio Time for Three talk about their new album "Emily — No Prisoner Be," the joys of working with composer Kevin Puts, and the responsibility of bringing Emily Dickinson to a new generation.

On WCRB In Concert with Boston Baroque, the renowned coloratura soprano performs concert arias by Mozart, bookended by Mozart’s "Haffner" Symphony and Beethoven’s Symphony No. 2.

Thomas Adès leads the Boston Symphony Orchestra in music inspired by the natural world: Beethoven's "Pastoral" Symphony, Adès’ "Aquifer", and his violin concerto "Concentric Paths," featuring BSO Artist-in-Residence Augustin Hadelich, on demand.

On WCRB In Concert with the TMCO, Andris Nelsons conducts Prokofiev's Piano Concerto No. 2, with soloist Yuja Wang, and the musicians of the Tanglewood Music Center perform additional works by Smetana, Beethoven, and Ravel.

The Pulitzer-winning composer, whose unconventional music reflects the rugged landscapes he lives in, talks about his relationship to nature and his new piece Horizon.

In a new album, the Ukranian-born, New York-based pianist and composer Vadim Neselovskyi channels the horror and hope he's felt since Russia's incursion.